A Quote by Julian Assange
WikiLeaks has revealed some hard truths about the Iraq and Afghan wars and broken stories about corporate corruption.
Related Quotes
WikiLeaks exposed corruption, war crimes, torture and cover-ups. It showed that we were lied to about the wars in Iraq and Afghanistan; that the U.S. military had deliberately hidden information about systematic torture and civilian casualties, which were much higher than reported.
[Chelsea] Manning leaked more than 700,000 classified files and videos to WikiLeaks about the wars in Iraq and Afghanistan and U.S. foreign policy.
Too often, stories about Afghanistan center around the various wars, the opium trade, the war on terrorism. Precious little is said about the Afghan people themselves - their culture, their traditions, how they lived in their country and how they manage abroad as exiles.
Being aware of truths about what is good or right or about what we ought to do is not the same as deciding what to do. Nor can the former truths be derived from decisions about what to do, or about procedures for making such decisions, unless these procedures themselves rest in some way on the apprehension of truths about what we ought to do.
People love WikiLeaks when it is exposing corruption in their opponents. People oppose WikiLeaks when it is exposing corruption or dangerous behavior in themselves.
If any overarching conclusion emerges from the Afghan and Iraq Wars (and from their Israeli equivalents), it's this: victory is a chimera.
If we really care about safety we would close down WikiLeaks. We would treat the people at WikiLeaks as enemy combatants. We would declare that the kind of thing this private did is treason. WikiLeaks is not a fun and games event. WikiLeaks undermines profoundly the ability of the United States to work around the world. Why would you, if you were a foreigner thinking about helping the United States, why would you confide anything to an American when you know that it could end up in The New York Times based on some leak?
I think what he's - what he believes, and he may be correct, I don't know, that we have some intelligence information that leads us to know some things about what's going on in Iraq that we haven't revealed to others.
Despite the limitations of the bulky 16mm camera and 10-minute film magazines, 'The Anderson Platoon' feels as spontaneous and fresh as any films that have come out of the Afghan or Iraq wars.
Stories? We all spend our lives telling them, about this, about that, about people … But some? Some stories are so good we wish they’d never end. They’re so gripping that we’ll go without sleep just to see a little bit more. Some stories bring us laughter and sometimes they bring us tears … but isn’t that what a great story does? Makes you feel? Stories that are so powerful … they really are with us forever.
In writing ... remember that the biggest stories are not written about wars, or about politics, or even murders. The biggest stories are written about the things which draw human beings closer together.
When you look at the New York Times and you pick it up in the morning, at the top of the paper there's three stories that are anti-Trump. Some of them baseless, some of them silly. And at the bottom you get something about WikiLeaks. Same thing with The Washington Post. Way out of control.
Apart from its dangers, much of Iraq isn't very interesting to look at. The landscape is flat and dun colored. The dirt just beyond the highway is littered with hunks of twisted and mangled metal, some of it the detritus of wars, some of it just unclaimed junk. The countryside looks muddy and broken.
I wrote some weird magical realism stories that are probably on some hard drive somewhere, and if I ever uncover that hard drive, I'll burn it. I tried to do a little bit of writing while I was in Iraq, but it wasn't the really greatest space for creative production.
'Fall on Your Knees' is really a story about secrets and family, and the idea that there are some stories or truths that need to be expressed.
We never want to update 'Black Watch,' because it's about a moment in time, and through that moment, it manages to speak about Afghanistan and all other wars. This play is 'about' Iraq, but it's actually about every war that's ever been or will ever be.
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