A Quote by Julian Barnes

Very few of my characters are based on people I've known. It is too constricting. — © Julian Barnes
Very few of my characters are based on people I've known. It is too constricting.
The puppet characters were combinations of people I had known and to some degree aspects of my own personality. Weird was based on someone I knew in Chicago. Dirty Dragon was based on a good friend I had in Indianapolis.
When I do a voiceover now, there are always a few people I've borrowed bits off, whether it's their hats or facial hair, who'll say: 'That's so funny; it's obviously based on this guy.' You think, 'It ain't: it's you.' Actors never think characters are based on them.
American democracy in the past has always been known for its large middle class and its relatively few very wealthy people and very few very poor people, but that is gone to today and the middle class is shrinking.
People who are well-known, famous people, I think, make very poor characters for fiction. They make good characters for gossip columns. But not for fiction.
Interesting characters are troubled characters. The only problem I've had in my business is very few people - unfortunately, very vocal - confusing the difficult role that I play with me. I play these guys, but I'm not like them. I've been accused of being difficult to work with.
There are very few works of fiction that take you inside the heads of all characters. I tell my writing students that one of the most important questions to ask yourself when you begin writing a story is this: Whose story is it? You need to make a commitment to one or perhaps a few characters.
I don't have a preference for bad people, no. I have an interest in playing a broad range of characters. Obviously, I'm mostly identified with a character who is very responsible, very solid and very intelligent, but there are plenty of questionable characters in my past career. I'm interested in exploring theatricality and characters with some dimension.
I have fought too hard and for too long against discrimination based on race and color not to stand up against discrimination based on sexual orientation. I've heard the reasons for opposing civil marriage for same-sex couples. Cut through the distractions, and they stink of the same fear, hatred and intolerance I have known in racism and in bigotry.
I tend to be attracted to characters who are up against a wall with very few alternatives. And the film then becomes an examination of how they cope with very few options. And that's, I guess, what interests me in terms of human behavior.
In terms of the characters, I definitely do look for somebody that I think people can learn from and I can learn from too. In one way or another, by the fact that they are a role or by that fact that they aren't a role model. I feel like I was attracted to the past few characters that I've played, because they have an element that really touched my heart.
In a play, a few actors perform a few characters, and they need to perform those characters with a certain level of believability so that audiences can actually understand and see them as those characters.
I do speak to a few people in non-league. There are a few people in Bristol where my family is based that I used to play with at Yate.
All the people in Star Trek will always be known as those characters. And what characters to have attached to your name in life! The show is such a phenomenon all over the world.
I have known a few good marriages, but very few. And others look to me like they're pretty miserable. I don't really think that's a recipe for happiness.
For me, style is about how you feel that day and what inspires you, as well as taking chances and making mistakes. Everything has to be comfortable. If things are too tight or too constricting, I feel out of my element.
In 'Property,' none of the characters are based on any real people, but the house is very much the house that I moved into in Saratoga Springs, N.Y.
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