A Quote by Julian Barratt
For me, there's no dichotomy between being shy or a performer, because I think it's more a way of slightly presenting a version of things to the world.
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He [Merlin] is slightly from another world and place, so it [challenge in bringing the role to life] is about having fun and presenting it in a new way. He's more of a politician, and slightly Machiavellian, but there's also a lovely relationship going on between Merlin and Arthur. There's so much to be had, really.
It seems like a contradiction, but the shy person who is a performer actually does make sense, because in a way, when you're young and shy, making people laugh is a good way to make friends. It's an instant connection.
I think a lot of people clamored for me to be a world champion or to be in this position but that I needed to be more serious and fit a certain mold. One of my things as a performer is that what I learned in our journey was, honestly, it was so much more rewarding to do it our way.
Some people are good at performing in front of people like that, but I'm uncomfortable at it. I think maybe that's the difference between acting and being a performer. I don't think I'm a natural performer.
Is it ok to sometimes be shy?Yes, of course. The point is,that being that way all the time and using it as an excuse to never be the opposite of shy,it's not good. It's not good for your life, your interactions,strenght of character and how diverse and interesting you can be. You are MORE than shy. Don't be labeled, be what you wanna be in any given moment. And DO what WORKS, not what you think you are.
I don't think I realized right away that I was switching from being a fan into being a performer. I've always tried to maintain that duality, because I think fandom is a way of being porous and curious, but it did feel like a step forward.
In my normal way of doing things, there's a little bit of 'going native' that takes place, where you're in a world long enough, you can't really help but start to see things in a nuanced, more humanistic way. Just because you're with people and you start to in general slightly like the people you're with.
In my normal way of doing things, there's a little bit of 'going native' that takes place, where you're in a world long enough, you can't really help but start to see things in a nuanced, more humanistic way. Just because you're with people and you start to, in general, slightly like the people you're with.
A lot of actors are relatively shy people, surprisingly, so acting is a way of not being shy - and being paid not to be shy.
I was shy talking about certain things, and I was shy with being honest because I didn't want people to judge me talking about fatherhood and how somebody should have my child around me.
I think this dichotomy or opposition between work and play, between leisure and serious stuff, is definitely a bad way of thinking about the useful insights that play provides.
Obviously when I'm put in a situation where there is a lot of attention on me, it's this weird dichotomy - I like it, because I feel like I'm a natural born performer. But I do feel the most vulnerable.
I'm not extremely outgoing, but I'm average, I think. When people meet me they'll say, 'Oh you're not that shy...' I never said I was! I see where they're coming from because my biggest single was about being shy at a party - I get it. But it's not 100% accurate.
I never met Publo Picasso. I took pictures at the Festival d'Avignon, but I was too shy to ask to go in his studio. It does not look like me now, but I was very shy, and shy of men also. I think there was a world that frightened me totally.
Children know when they are being sold a sanitised version of the world, and I think that's a betrayal of the relationship between author and reader.
When we're good, we're very, very good, and when we're bad, we're horrid. This is not news, because we're so much more inventive and we have two hands, the left and the right. That is how we think. It's all over our literature, and it's all over the way we arrange archetypes, the good version, the bad version, the god, the devil, the Abel, the Cain, you name it. We arrange things in pairs like that because we know about ourselves.
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