A Quote by Julian Barratt
It's a weird profession, as I don't really consider myself an actor. I did at one point, and I went and started doing auditions, and I was so useless at them and so demoralised by doing audition after audition and not getting them and also not being able to take it in my stride at all. I just felt crushed and worthless.
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When I was 8, my dad asked me if I wanted to audition, just for fun. I did just a little short film, and I liked it. I just kept doing it, and then I started getting bigger auditions for bigger roles.
It's stressful to keep doing audition after audition after audition. You finish one and go to the next one, and you have to learn lines. For me, I have to work on my accent, so I was getting accent coaching and acting coaching. I wanted to make good impressions.
If I had even the tiniest scrap of advice to give to a young actor who was figuring out how to audition, I would say don't memorize the script... The reality about auditions is that 98 percent of the results has to do with what you are, not with what you did in the audition.
If I had even the tiniest scrap of advice to give to a young actor who was figuring out how to audition, I would say don't memorize the script The reality about auditions is that 98 percent of the results has to do with what you are, not with what you did in the audition.
I had to audition as an actor, and I got so tired of doing the same monologues over and over, so I started writing my own, and then I started selling them to other actors.
There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.
At the time, I was in L.A., just auditioning and hoping to land a part, dramatic or comedic. I started to feel really stagnant, waiting for a part. I was also taking classes at UCB and Groundlings, and at the higher levels, they focus on writing. It was such a relief to be able to write. During those programs, I wrote a one-woman show called Me, Myself, and Iran, and it ended up getting to Tina Fey. She recommended me to audition for SNL, so I got my first of two auditions through her.
I've been doing American auditions for a while, and it always felt sort of like sending these audition tapes off into the ether. So just hearing anything back from anyone was kind of startling.
I would drive down in my Volkswagen Jetta to Los Angeles and just audition, audition, audition, audition, and hopefully get something. I did that for two years, and the third year I came down, I auditioned for 'How I Met Your Mother.'
I had an audition process that went on for a long time, and I got to spend a lot of time with the guys who are directing the film. Getting to be around them and being around the world a little bit has been the main experience so far. I did my audition on the Millennium Falcon for one of my screen tests, which was pretty cool.
My parents spent 16 years hauling my butt to L.A. for audition after audition. I remember always hoping I could help take care of them because they took such good care of me.
I've had a couple opportunities where I've been on the other side of the audition process as a director, so it's really reassuring to me that it's just about who is right for that role and less about if you ace the audition. It's just about getting to know people, not about who's a better actor a lot of the time.
I like being able to put out my own content instead of just going from audition to audition and just waiting and hoping.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
It's the same challenge as with any other character, adults or not. You want to take time with the kids. You want to tell them in the audition that they have time to exchange ideas. I'm there. It's not someone else who does the audition, but I don't want to audition a thousand children.
I did a 'Last Comic Standing' audition in 2006, where you're just performing for three people in a comedy club, in a big comedy club, and I remember them cutting me off, asking about my name in the middle of one of my jokes. Yeah, it's just real weird when you're doing stand-up in that type of sterile, unnatural setting.
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