A Quote by Julian Barratt

I've got a lot of friends with whom I discuss jazz. — © Julian Barratt
I've got a lot of friends with whom I discuss jazz.
When I was 13, I used to go to a jazz club. The owner of the club became my first business manager. She was very gutsy and had a lot of friends, one of whom happened to be the head of jazz at Columbia at the time. That's how it all began.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I have my own set of friends with whom I discuss better story ideas, views and scripts. So I channelize my time in a productive way.
I don't have actors as friends. There's no actor who's my 3 A.M. friend. There are a couple of musicians whom I can call friends, and I have a close knit group of friends whom I feel comfortable with.
To me, being popular means I've got more friends. You've got to watch who your friends are, if you want to get close to them, but I've got a lot of acquaintances. And then, you've got to be real careful who your friends are, because you never know why they're your friend.
I got into playing the jazz. I played jazz for a good while. I did the popular stuff first. You got the "Twelfth Street Rag" and those kinds of things. Then I got to hanging around with a bunch of guys starting to playing jazz. We'd go from one place to the other and take our instruments, just perform for free.
Oh, I was a real Nirvana kid. I got into jazz because I listened to a lot of metal, Megadeth and that, and those guys play really fast and are virtuosos. I wanted to learn more about it, and I discovered that a lot of jazz guys played really fast, too.
Growing up in Jersey City was interesting. I got to learn a lot about different cultures: I had Hindu friends, Middle Eastern friends, black friends, Spanish friends.
Of course we've lost so many superstars who've made jazz what it is. We've lost so many musicians who created new things and changed the way we think about music and who took jazz to a new level. So jazz is suffering from that. But we still have a lot of incredible people playing jazz in the world. We have a lot of people leading the way.
A lot of people are crazy, cruel and negative. They got a little too much time on their hands to discuss everybody else. I have a limited amount of energy to blow in a day. I'd rather read something that I like or watch a program I enjoy or ride my damn motorcycle or throw back a couple of shots of tequila with my friends.
I like to play with someone who can cover a lot of ground and someone with whom you can discuss the language at a reasonable level; otherwise it gets a bit frustrating.
I got into trad jazz, then modern jazz, then avant-garde jazz, between the ages of 16 to 18.
The new friends whom we make after attaining a certain age and by whom we would fain replace those whom we have lost, are to our old friends what glass eyes, false teeth and wooden legs are to real eyes, natrual teeth and legs of flesh and bone.
I'm not even on Facebook. I've got enough friends I never see. You know how you have a lot of friends you never call? I don't have time for new friends, and I don't want to be friends with someone only online.
I am perfectly capable of writing things about myself that one doesn't discuss in polite company, but I was raised by people who said you don't discuss politics, you don't discuss religion, and you certainly don't discuss people's sex lives.
My son, Sanjay, and I discuss a lot of things. Like, he gives me feedback on my films and what his friends say at school.
This site uses cookies to ensure you get the best experience. More info...
Got it!