A Quote by Julian Bream

Hearing Andres Segovia in person was quite a revelation ... It was a knockout. — © Julian Bream
Hearing Andres Segovia in person was quite a revelation ... It was a knockout.
When I was 15, I became an avid fan of Andres Segovia. He brought so much respectability to the guitar.
I learned mainly by listening to Andres Segovia and that was a great inspiration. And also the gypsy jazz guitarist Django Reinhardt.
As a professional, as a person, and as a player, I think he's fantastic. It's like he's dancing the tango. I just love how he plays football so elegantly. To me, Andres is Don Andres.
It is an honour that people are comparing me to Iniesta because of everything that he has achieved. But, and I have said this before, I do not like these kinds of comparisons. Andres is Andres, and I am Isco. I am a different person and player.
Andres Segovia, the great name for guitar, he put classical guitar on the map. He was the proponent of it, the best in the world. So I was listening to a record that he had made, and a little bauble happened in the middle of the record. A finger slipped, and I said, 'Wait a minute. He's not allowed to make mistakes,' - my mind.
I've won my last four matches by knockout. Out of 30 fights, I've won more than 20 by knockout. I think that a ballet dancer wouldn't win by knockout.
I do think that something of the effect I have on people is to put everything on an edge where they're both infatuated with a kind of charmingness happening in the person or in the writing, and also flatly terrified by a revelation or acceptance of revelation that's almost happening, never quite totally happening.
Of course I would want the knockout, but with me, I just look for, you know, a spectacular performance. It's like, walk them down, or go for the knockout. You know, hopefully I get the knockout.
My ex-wife was trying to be nice once, so she took me to a concert in Los Angeles. I went with her to Symphony Hall, and the orchestra was playing. When the show started, the spotlight was sharp on this one man (Andres Segovia) and he had sombrero on and his guitar propped up like this and, oh man ... he was a master ! - I really heard it. That one guitar sounded like a whole orchestra to me.
... Andres Segovia literally created the genre of classical guitar, which hadn't existed before around 1910. There was flamenco, which he borrowed from, but he actually arranged the works of Mozart and other classical composers for guitar, something that had never been done before ... Segovias' style is not slick or contrived, but it's still very clean and his timing is impeccable ... it's got a feeling of casual elegance, as if he's sitting around the house in Spain with a jug of wine, just playing from the heart.
I'm not aiming for a knockout. I focus on doing my best. If the knockout comes, fine. If not, that's okay.
I never go for the knockout, but the knockout comes because I train as hard as I do.
You know me: I'm a knockout guy. I'm always looking for the knockout.
I do think Wilder can be a household name in America. He is a good fighter, and he has knockout power and has knockout potential, which is what you need as a heavyweight.
I fell in love with the knockout. I was in a relationship with the knockout.
Revelation is necessarily limited to the first communication- after that it is only an account of something which that person says was a revelation made to him; and though he may find himself obliged to believe it, it can not be incumbent on me to believe it in the same manner; for it was not a revelation made to ME, and I have only his word for it that it was made to him.
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