A Quote by Julian Bream

I suppose that when I started to play the lute it was fairly esoteric. — © Julian Bream
I suppose that when I started to play the lute it was fairly esoteric.
My own style on the guitar grew out of my experience with the lute. I suppose some people might say I play each like the other. And of course I know a lot of guitar fans who wish I would stop playing the lute and vice versa.
When you are accompanied by the instrument - on an instrument like the lute-the lute and voice - you have this sound, and you feel how the music can be so touching and yet so simple.
If thou would'st have me sing and play As once I play'd and sung, First take this time-worn lute away, And bring one freshly strung.
How charming is divine philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets Where no crude surfeit reigns
I knelt and opened up my lute case. Moving the lute aside, I pressed the lid of the secret compartment and twisted it open. I slid Threpe's sealed letter inside, where it joined the hollow horn with Nina's drawing and a small sack of dried apple I had stowed there. There was nothing special about the dried apple, but in my opinion if you have a secret compartment in your lute case and don't use it to hide things, there is something terribly, terribly wrong with you.
I like to play the lute full-bloodedly, with passion, as well as with delicacy and, I hope, refinement.
When I began playing the lute, in 1950 there were not too many lutenists around. I had to work hard, writing out music in museums and libraries. It was before the days of photocopying. And I had just picked up the lute, adapted my guitar technique to it and went from there.
I joined Elton John's band in '75. He not only allowed me to play the electronic keyboard on his albums, he also let me do the orchestrations. Then I left the band and started producing records. I was not really a popular kind of hit music guy. I was attracted to more esoteric things.
Sometimes, I wish we were all amateurs again. I'd play for nothing. Ab-so-lute-ly free. But that's not the system.
Social and political issues in general seem to me fairly simple; the effort to obfuscate them in esoteric and generally vacuous theory is one of the contributions of the intelligentsia to enhancing their own power and the power of those they serve.
I suppose that I'm fairly comfortable with the clown hat on.
May we two stand, When we are dead, beyond the setting suns, A little from other shades apart, With mingling hair, and play upon one lute.
When I first started playing music in 1955, there was just a small body of people that knew it. It was a very esoteric type of thing.
Most teachers of self-discovery have two types of students. They have students they deal with in a more exoteric way than the esoteric students. Esoteric truths are presented to usually a smaller group of students.
I was always a happy kid. I'd play the piano fairly well. I did all sorts of things fairly well. But who the hell wants to be happy all the time? It's a miserable state to be in permanently. Can you imagine how dreary that would be?
I don't play anymore because I can't play anymore and I retired when I was playing for Chelsea because the doctor had to cut my leg in two parts so this is why I retired. I started going to the gym recently and my knee started to hurt again, so you can imagine what it would be like if I tried to play! I play football on the beach with my daughters and my friends but that's it.
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