A Quote by Julian Bream

I think Englishmen or Northern Europeans in general are more naturally attracted to the lute than to the guitar, which always seems Spanish exotic - to our ears. — © Julian Bream
I think Englishmen or Northern Europeans in general are more naturally attracted to the lute than to the guitar, which always seems Spanish exotic - to our ears.
My own style on the guitar grew out of my experience with the lute. I suppose some people might say I play each like the other. And of course I know a lot of guitar fans who wish I would stop playing the lute and vice versa.
The lute is tuned differently than the guitar and of course it has many more strings.
[Camillo] Berneri proposed that the anarchists should link up with the effort of Northern Africa to overthrow the Spanish government, carry out land reform, attract the base of the Moorish army, and see if they could undermine [Francisco] Franco's army through political warfare in Northern Africa combined with guerrilla warfare in Spain. Historians laughed at that, but I don't think they should have. This was the kind of war that might have succeeded in stopping Spanish fascism.
Our life is always deeper than we know, is always more divine than it seems, and hence we are able to survive degradations and despairs which otherwise must engulf us.
When I began playing the lute, in 1950 there were not too many lutenists around. I had to work hard, writing out music in museums and libraries. It was before the days of photocopying. And I had just picked up the lute, adapted my guitar technique to it and went from there.
I think American men are more conscious of putting up a good impression. There's more of an earthiness to Englishmen. But Americans aren't afraid to come up and say, "Hi, I'd like to go out with you." Englishmen are far more sheepish about it.
Canadians tend to be a bit more religious than most Europeans - though not more than the Poles or Ukrainians. Most important, their attitude to immigration and ethnic minorities is more positive than that of most Europeans.
When I feel like improvising, I always improvise on the guitar, never on the lute. It's as natural to me as breathing.
Claude Debussy defined the guitar as an expressive harpsicord. I believe that is the best definition ever given of the Spanish guitar. This phrase is the starting point for my Concierto de Aranjuez Our guitar is the only survivor of the rich and anarchic instrumental wildlife of the Middle Ages.
Singing in Spanish is much more honest, much closer to my roots. For me, Spanish is essential. I still think in Spanish, dream in Spanish. It's the melodies and arrangements that transmit meaning.
London on your own actually seems more exotic than Egypt on a tour.
In reply, I can only plead that a discovery which seems to contradict the general tenor of previous investigations is naturally received with much hesitation.
We always got a strong response but I think in this day in age there is less of a marijuana fog at concerts and more of people just more naturally exuberant - it seems to me.
I think the Europeans are a lot more spontaneous, more artistic to some degree. But I don't think they have the technical talent we do here in the states. Here people have been trained much more specifically - they know exactly what they're doing. The Europeans are perhaps slower, but in the end damn near as good.
Will I do another tour with Paul? Well, that's quite do-able. When we get together, with his guitar, it's a delight to both of our ears. A little bubble comes over us, and it seems effortless. We blend.
Truth comes home to the mind so naturally, that when we learn it for the first time, it seems as though we did no more than recall it to our memory.
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