A Quote by Julian Bream

The lute I use has 10 courses and 19 strings, which is quite a lot of strings and a quite different fingerboard width from a classical guitar. I use a combination of flesh and nail when plucking the strings.
The result was the same as tuning down the strings by a semitone and using a capo at the first fret. With less tension in the strings, the sound was more mellow and softer; it also allowed me to cover a larger span of the fingerboard. I used this for quite a few years, but eventually I went back to the standard fingerboard.
I don't care how inventive you are; once you introduce strings into the ensemble for a horror film, you're entering into a world where a tradition has been thoroughly established. So it's repeated use over the years is like, 'Oh God, another film with strings, another spooky movie with strings.'
I like the strings. I always have. Because that's how it feels. But the strings make pain seem more fatal than it is, I think. We're not as frail as the strings would make us believe. And I like the grass, too. The grass got me to you, helped me to imagine you as an actual person. But we're not different sprouts from the same plant. I can't be you. You can't be me. You can imagine another well – but never quite perfectly, you know?
There are two kinds of music. One comes from the strings of a guitar, the other from the strings of the heart.
I started playing the guitar when I was 14. I'm not superstitious about guitars, but I do need strings to be old because that's part of my sound, and I don't like steel strings.
Strings of gravity vibrate at a different frequency than strings of light.
...the laws of physics, carefully constructed after thousands of years of experimentation, are nothing but the laws of harmony one can write down for strings and membranes. The laws of chemistry are the melodies that one can play on these strings. the universe is a symphony of strings. And the "Mind of God," which Einstein wrote eloquently about, is cosmic music resonating throughout hyperspace.
The lute is tuned differently than the guitar and of course it has many more strings.
You have to understand that the bass guitar is the party instrument. It only has four strings. If you see a bass player playing five strings, take your shoe off and throw it at him.
I absolutely remember when I decided upon playing Ernie Ball strings, and it was right then and there at the guitar store up in Seattle when I picked up my first guitar ever. They said, 'What kind of strings should we put on it?' And I just looked at the brightest color package and said, 'That one!'
For me the world has always been more of a puppet show. But when one looks behind the curtain and traces the strings upward he finds they terminate in the hands of yet other puppets, themselves with their own strings which trace upward in turn, and so on. In my own life I saw these strings whose origins were endless enact the deaths of great men in violence and madness. Enact the ruin of a nation.
I had a guitar sitting around, and it just happened to have four strings on it, and I would sit around watching TV and playing it. I ended up writing bunches of songs around four strings.
The Metropole Orchestra is like Count Basie or Duke Ellington with strings... it's strings that swing. Strings that swing like Dizzy Gillespie... keep swinging, baby. And when you have all of that special excellence of the Metropole Orchestra, then your music just flies - it soars in a way that's really magical.
Strings have been a part of my career and my albums since the very first day. 'Snowbird' had beautiful strings.
I used to break three or four strings a night, and the show would be over because I didn't know how to change the strings.
I'd always loved strings. When I was in high school and saw strings playing on stage, an orchestra or a symphony, all those bows moving at the same time... wow.
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