A Quote by Julian Casablancas

The thing for me is I never had this burning desire to do a solo record my whole life. — © Julian Casablancas
The thing for me is I never had this burning desire to do a solo record my whole life.
I haven't been walking around for years with some burning desire to do a solo record. If I had, maybe I'd have made a record that was experimental. Usually, the idea of a solo record is to get some weird stuff out of your system, but I don't think like that. I wasn't interested in making something that was a hard listen - maybe I'll get around to that some other time. I wanted it to sound effortless, not like I was trying to reinvent the wheel.
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.
I think the first big chance I ever got was I was one of the opening acts for UTFO and 'Roxanne Roxanne,' that whole thing. And I come on stage, it's like 5000 people in the Oakland convention center, I'd never had a record in my life, I'd never had anything in a record store.
Frankly, I never had any intense desire to go to India. I know that sounds a bit strange, but it just never was someplace I had a burning desire to visit.
I think for me, I had a long-standing desire to orchestrate the sunrise, and never came up with the right thing on piano. So at a certain moment, I had the revelation that the whole thing would be electronic, not traditional acoustic.
My effort in the whole thing was the basic determination, the burning desire in me to prove to this world that a physically handicapped girl is in no way inferior.
Actually, the whole thing of being a solo artist has been such a learning process for me. Since I departed from my previous band, NIGHTWISH, it was the whole beginning of my career, there was stuff in the air. I had to learn so much.
I got on the phone with the president of my label and I said, "Obviously, I write songs in a lot of styles and play a lot of different kinds of music. We're getting toward the end of our business collaboration. If you could envision a record that you wanted to hear from me, what kind of record would it be?" It wasn't like asking him to fill an order, it was really just a conversation. For all the things I'd ever asked him, this was one thing I'd never asked, and I don't know why. So I was curious. And the thing that he was most interested in hearing was a solo record.
My dad taught me to play the guitar. We grew up with country music. We had every Willie Nelson record (laughs). I was saved at a young age and had a great desire to follow God. I was really focused on that through my whole life, even as a kid and through high school.
I have to have the reasons to make the record. There are just too many records out there, especially when it's something as audacious as a solo percussion record with solo drumming music on it. There better be a reason behind it.
When the whole fighting thing started, I never knew at the end it was going to be all about your record. I never had that mentality. I wanted to fight everybody.
It's true that I've never had a burning desire to rebel against my parents.
Every match I watch will be bittersweet. It will always hurt, I'll always miss competing. That's what I've done my whole life and that burning desire is not just going to leave me.
A lot of people are trying to get me to go solo. It's just a thing I have to deal with a lot. Record labels are always trying to get me to go solo.
When Alcatrazz played in Japan in early '84, the record label offered me the opportunity to do a solo album while continuing to play in the band. I wanted the whole album to have vocals, but the record company didn't want that. Initially, the album was released solely in Japan.
To me, the whole thing with the roots of rap music was when the DJ had to supply all the music for the group with two turntables. And the whole criteria of what that DJ would use had nothing to do with what type of band made a record.
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