A Quote by Julian Casablancas

In most cultures, you can have a kid at 18 and it's not a big thing. It's not like, 'Oh, you've got to get a different haircut and move to the suburbs and act, like, 35.' — © Julian Casablancas
In most cultures, you can have a kid at 18 and it's not a big thing. It's not like, 'Oh, you've got to get a different haircut and move to the suburbs and act, like, 35.'
For me, 40 is the new 18, because I still act like a big kid.
When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.
When I first started watching Godzilla, I was a kid and a big dinosaur freak and was like, "Oh my gosh, there's a big dinosaur." So I immediately got into Godzilla. What I like about it are some of the things people often think are negative aspects.
Growing up in Dumfries, I got no sun - I spent all my time in my room making records. When I came to America, it made me recognise the benefits of sunlight. Oh, and I also got a good haircut. I used to have a terrible haircut.
I've said for quite a long time I'd like him to have a different haircut. I quite like my hair being short. You know, we've been away two years, let's f*** around with his outfit, let's f*** around with his haircut, let's do something different.
We moved around a ton when I was a kid. I think we lived in 9 different houses before I was 15 - we moved from the city back to the suburbs; different suburbs, different houses, all over the place.
Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with.
I feel like I get opportunities that most people my age don't get. But, like, I can't do what most 18-year-olds do. Like, I can't go out partying all the time: I have to work and get up early.
It's not that I don't respect my parents' authority or appreciate all that they did for me, but when I was 18 I was able to move out, and I was out. I feel like a different person since then; I mean, it's obviously a big turning point in life. I feel like I've established myself, and I'm a smarter and more mature for it.
I never really got the book together for the thing, so I had all the songs and the characters. But by the time we'd gotten it on the road and I'd been doing it for 18 months, oh God, I couldn't wait to move on to something else.
I think when people talk about improvising it turns into this silly thing like, "Oh there's like a hula hoop there and I'm like 'Oh what's going on here? Is this a really big ring?'"
In professional wrestling, I think that they want you to be bigger than life. It's almost like an over-acting type thing - whereas on the big screen, you're 35 feet and they've got a close-up of you to put it on the screen in the movie house. At 35 feet, it's more subtlety than the overboard drama that we do in pro wrestling.
Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with. And then my job is almost done, with a great script, obviously.
I like What Goes Around Comes Around for old concert tees. Oh man, I got this 'Sgt. Pepper' cartoon Beatles shirt there; it was, like, $300. I didn't even know how much it cost - I thought it was gonna be, like, $80 at most - till I got to the register and was like, 'Oh mah gawd!' Good Lord. But it's classic vintage rock, you know?
I watched a lot of television as a kid, and the suburbs to me - that was exotic! Like, a mom and dad who lived in the same house and had jobs and cooked breakfast at the same time every morning and did laundry in a washing machine and dryer? That was like, 'Woah! Who are they? How do you get to be like that?'
What, Sheamus? Oh no, I can see him...he's pretty pale......What? oh no, he's even whiter than that. He's like a jar of mayonaisse with eyeballs and a ketchup haircut.
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