A Quote by Julian Dennison

I love 'Whale Rider.' That's one of my favorite films of all time. — © Julian Dennison
I love 'Whale Rider.' That's one of my favorite films of all time.
A film like 'Whale Rider' is equally truthful, perhaps more so, to the Maori experience; Maori people respond to 'Whale Rider' because it's a world that they understand.
I walk outside and scream at the top of my lungs, and it maybe travels two blocks. A whale unleashes his cry, and it travels hundreds or even thousands of miles. Every whale in the ocean will at one time or another run into that song. And I figure whales probably don't edit. If they think it, they say it...Whale talk is the truth, and in a very short period of time, if you're a whale, you know exactly what it is to be you.
You watch 'Whale Rider,' and I defy you to not get teary-eyed at the end there.
With every film I've made, 'Whale Rider' included, I've had a vision that was far bigger than the budget allowed.
I made 'Whale Rider', I saw that to be specific and authentic is to be universal, and I've continued to work in an identical way ever since.
'Whale Rider' was quite an extraordinary shoot. We were in that community on the east coast and so much of what you see in that film was very present.
I love Sam Raimi. 'Evil Dead 2' is one of my favorite films. It's one of the best cheaper horror films I've ever seen. Horror films and suspense films can be made on a low budget without big stars and be very effective.
When I made 'Whale Rider' - of course, I'm not Maori and have no business, as a white girl, telling people how to be in this movie - I started by learning the language, as best I could.
There are films that I don't like, and then someone will come up to me and say it's their favorite movie. The movies belong to the people. You make them and you put them out. For me, I love the process of making films. For me, my favorite film is always my next one.
The story of the whale swallowing Jonah, though a whale is large enough to do it, borders greatly on the marvelous; but it would have approached nearer to the idea of a miracle if Jonah had swallowed the whale.
There was no magic encounter for me with a whale in the ocean; no being zapped by a whale as I snorkelled in their world. Nothing visible or capable of explanation. In fact, I'd never seen a whale. When I first witnessed their terrible death agony, I couldn't get the picture of a whale being harpooned out of my mind. It was a hideous mind-blowing sight. That day I recognised a purpose on the journey of my life.
The rider and the team need to understand one another and work in the same direction. Then the rider's happy, and only then will the rider be able to give 100%.
I have a tattoo on my foot that says 'it's a whale' in Japanese, because Japanese people kill whales. My stuffed whale was like most children's teddy bear. I took it with me everywhere. I slept with it. I couldn't live without my whale.
Whale Rider' was a very authentic and specific movie about the indigenous culture from where I come. Amazingly, by the fact it was so authentic and so specific, it became really powerfully universal.
Fundamentally, the way I work is exactly the same whether I'm making 'Whale Rider' or 'Mulan'. And those two stories are somewhat similar. They have interesting parallels, and it felt like I'd really come full circle, back to a story of leadership.
[There, in War Horse] very little CGI. What happened there - because the horse was running very close to the trench, we had a rider. So in few instances, we had a rider dressed in a green suit. The rider would guide the horse through the frame, and through CGI [we removed] the rider. But that's about it.
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