A Quote by Julian Fellowes
What does she do?" "She's a producer." Of course, in Los Angeles this doesn't mean much more than "she's a member of the human race.
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Sophie has a gift," she said. "She has the Sight. She can see what others do not. In her old life she often wondered if she was mad. Now she knows that she is not mad but special. There, she was only a parlor maid, who would likely have lost her position once her looks had faded. Now she is a valued member of our household, a gifted girl with much to contribute.
Nature is not personal. She is the compound of all these processes which move through the universe to effect the results we know as Life and of all the ordinances which govern that universe and that make Life continuous. She is no more the Hebrew's Jehovah than she is the Physicist's Force; she is as much Providence as she is Electricity; she is not the Great Pattern any more than she is the Blind Chance.
You're beautiful, but you're empty...One couldn't die for you. Of course, an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than all of you together, since she's the one I've watered. Since she's the one I put under glass, since she's the one I sheltered behind the screen. Since she's the one for whom I killed the caterpillars (except the two or three butterflies). Since she's the one I listened to when she complained, or when she boasted, or even sometimes when she said nothing at all. Since she's my rose.
Lady Gaga is still a human being, she was still among us! But now, she's a little monster, she says. She does her face a certain way. It's pretty startling. But she's a great girl. She's cool from what I remember.
Elisabeth, again, while she praises her, is so far from hiding the Divine glory, that she ascribes everything to God. And yet, though she acknowledges the superiority of Mary to herself and to others, she does not envy her the higher distinction, but modestly declares that she had obtained more than she deserved.
At last, she makes her choice. She turns around, drops her head, and walks toward a horizon she cannot see. After that, she does not look back anymore. She knows that if she does, she will weaken.
I'll be having lunch with my mum and she'll complain about the paparazzi outside. I tell her that she could have worn a beanie, but of course she never does. She loves it - it's how she chooses to connect with people. That's fine, I can respect that. But I'm the opposite. I always have been.
...fact was she knew more about them than she knew about herself, having never had the map to discover what she was like. Could she sing? (Was it nice to hear when she did?) Was she pretty? Was she a good friend? Could she have been a loving mother? A faithful wife? Have I got a sister and does she favor me? If my mother knew me would she like me? (140)
An old woman I loved very much when I was young - the wife of Jean Villard - she's just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That's all she does - she almost doesn't recognize her children, but she recites Valéry and Baudelaire. So what? We're the ones who are suffering. She's not.
When a man holds his tongue it does not signify much. But when a woman dispenses with the office of the mighty member, when she sheathed her natural weapon at a trying moment, it means that she trusts to still more formidable enginery; to tears it may be, a solvent more powerful than that with which Hannibal softened the alpine rocks.
She didn't care anymore... and she got no pleasure from the work she did, but she did it. Everything bored her. She found that when she didn't have a notebook it was hard for her to think. The thoughts came slowly, as though they had to squeeze through a tiny door to get to her, whereas when she wrote, they flowed out faster than she could put them down. She sat very stupidly with a blank mind until finall 'I feel different' came slowly to her mind. Yes, she thought, after a long pause. And then, after more time, 'Mean, I feel mean.
Do you know what happens when an Arabian woman dances? She does not dance: she protests, she loves, she cries, she makes love, she dreams, she goes away from her reality, to her own world, where love is really meant and she does not want to come back, because that is her reality.
As a woman, she [Penelope Cruz] obviously has changed as she has become an adult. But, as an actress, I actually might say that she has not changed that much. And she has something great, especially in comedy, and she hasn't been exploited as much as she could be in comedy, but particularly in that mix between comedy and drama. She's got a very special quality about her. You can place her in very extreme situations, especially very painful situations, in terms of how her character interprets it. And sometimes, the deeper and more human that pain is, the better she is at it.
I think it's important that kids see another kid - Coraline - who doesn't have guns, she doesn't have super-powers, she's not a super-genius. To see a pretty normal kid - I mean, she's probably a little more curious, a little more stubborn, but she's a real kid - go up against something that's truly dark and evil and powerful. And she does win.
The fact is that a woman who aspires to be chairman of the board - or a member of the House - does so for exactly the same reasons as any man. Basically, these are that she thinks she can do the job, and she wants to try.
She wanted happily ever after more than he could possibly know. She wanted forever. Problem was, she just wasn’t sure she believed in it anymore. It was why she clung to her fiction so much. She immersed herself in books because there she could be anyone and it was easy to believe in love and happily ever after
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