A Quote by Julian Fellowes
Although 'L.A. Confidential' is a long movie, there's never a moment when you think, 'I'm loving this... but when's dinner?' Each time I see it, I discover something I hadn't noticed before. It has a tremendous skill in developing all the subplots.
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It was funny that you know someone for years but still discover something you never noticed before.
That's what does it-- that moment where you think you're lost, and then discover that you're not, that you've never really left. There's something that happens in that incredible tiny no-time, and that something is like the revelation of learning.
When you slow down enough to sculpt, you discover all kinds of things you never noticed before.
Writing is the great skill, the creative skill. The acting is more an interpretative skill. And the thrill for me is the moment when I think of something. And then the challenge is how to get that funny idea to work in terms of the structure and that kind of thing, which is - and that's what I really love doing.
The only lie I really remember from my adolescence was when I was in sixth grade and I was dropped off with a couple of friends at the movie theater to go see a movie, I can't remember which one it was, and we went to go see this movie instead that was rated R. That was sort of a defining moment, that was probably the first time I had ever lied to my parents about something.
'The White Album' is a record I can go back to time and time again, and always find something different that I never noticed or appreciated before.
You can have a good moment with a parent you are estranged from, and you have a great moment, and then the next time you see them, everything's back to the way it was before and you guys are throwing knives at each other.
The only time I ever follow Twitter is if I'm in a restaurant or something, just before I leave, to see if people are waiting outside. It does make you a bit of a loser, especially when someone asks you, 'Hey, you want to go to dinner at this place?' and I'm like, 'Can we have dinner at this place? It has three exits.'
I think it’s very important to live in the present. One of the great things that improvising teaches you is the magic of the moment that you’re in … because when you improvise you’re in right now. You’re not in yesterday or tomorrow—you’re right in the moment. Being in that moment really gives you a perspective of life that you never get at any other time as far as learning about your ego… You have to see your unimportance before you can see your importance and your significance to the world.
An eye-opening moment in my life, a very defining moment, was the first time I met Susan Sarandon [before shooting Thelma & Louise]. We were going to meet, just Ridley [Scott] and Susan and I, to go through the script and see if we had any thoughts or ideas. I was reading the script, and in the most girly way possible, meaning that if it was a line that could change or something different I'd like to see, I would think about each one and say, "Well, this one can wait till the set because I don't want to bring up too many things."
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
Each moment is new. We have never lived it before and will never live it again. It is familiar and unfamiliar at the same time.
With 'Hail, Caesar!' it was about all the skill sets I had to learn, but each movie requires a different way of working. You're a piece in a new world, and there is always a difficult part within that world. For me, it's not consistent from movie-to-movie, each film has a central challenge.
I suppose even when I was growing up, I noticed I was most happy when I was absorbed in something, lost in the moment and forgot the time, whether was conversation, movie, or a game I was playing. That was my definition of happiness. And I was least happy when I was all over the place, distracted and restless.
One is quite astonished to find how many things there are in the landscape, and in every object in it, one never noticed before. And this is a tremendous new pleasure and interest which invests every walk or drive with an added object. So many colours on the hillside, each different in shadow and in sunlight; such brilliant reflections in the pool, each a key lower than what they repeat; such lovely lights gilding or silvering surface or outline, all tinted exquisitely with pale colour, rose, orange, green or violet.
When life is hard and the day has been long, the ideal dinner is not four perfect courses, each in a lovely pool of sauce whose ambrosial flavors are like nothing ever before tasted, but rather something comforting and savory, easy on the digestion - something that makes one feel, if even for only a minute, that one is safe.
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