A Quote by Julian Fellowes
To be honest, when you're running a series and you have an open end, you don't want to limit yourself too much with the choices you've got for a particular character.
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The way you activate the seeds of your creation is by making choices about the results you want to create. When you make a choice, you mobilize vast human energies and resources which otherwise go untapped. All too often people fail to focus their choices upon results and therefore their choices are ineffective. If you limit your choices only to what seems possible of reasonable, you disconnect yourself from what you truly want, and all that is left is a compromise.
What is good for you creatively is usually bad commercially. You thrive financially by sticking to a series and not fiddling about too much. You do yourself harm by moving away from the series and the genre. By trying things not based in that particular mode of writing, you will just lose readers.
You've got to be honest with yourself aesthetically about who could you play. You want to artistically be true to that character.
When you are eighty years old, and in a quiet moment of reflection narrating for only yourself the most personal version of your life story, the telling that will be most compact and meaningful will be the series of choices you have made. In the end, we are our choices.
You know, it's scary when you sign onto a pilot of a series because, as much as you want the series to go, you also want it to be a character that you'd be interested in playing for a long time.
we live in a world of excess: too many kinds of coffee, too many magazines, too many types of bread, too many digital recordings of Beethoven's Ninth, too many choices of rearview mirrors on the latest Renault. Sometimes you say to yourself: It's too much, it's all too much.
If you limit your choices only to what seems possible or reasonable, you disconnect yourself from what you truly want, and all that is left is a compromise.
If you limit your choices only to what seems possible or reasonable, you disconnect yourself from what you truly want, and all that is left is compromise.
I wasn't a huge fan of the comic book, but I definitely was of the cartoon series. I wasn't much for sitting around and reading as a kid, I preferred to be outside running around and playing sports, but I was absolutely thrilled to get the role of Colossus. I don't think I realised how popular the character was until I got the role and started doing some research; it was then that I really fell in love with the character of Colossus myself.
Forget about willpower. It's time for why-power. Your choices are only meaningful when you connect them to your desires and dreams. The wisest and most motivating choices are the ones aligned with that which you identify as your purpose, your core self, and your highest values. You've got to want something, and know why you want it, or you'll end up giving up too easily.
The reason it's called 'The Heart of Robin Hood' is that he starts off not having a heart - or certainly not being in contact with it. And through a series of stories, he learns to discover that he has one. He becomes much more dramatic as a character, to be honest, because there's something rather too smug about the endless do-gooder.
Often, you don't want to know too much, because it does affect your performance. When you're shooting a series for nine months out of the year, you don't want to anticipate too much, because you're going to work and you have to enjoy this thing too.
When you are in a long-running series you don't look outside it because you don't really need to do much else. When you don't have that you are much more open to offers, like presenting Hell's Kitchen or making a motoring show in Madagascar with Mariella Frostrup.
I believe that if you want gender, then you can have it. If you want to label yourself, then sure. If you want to use history to describe who you are, then there is nothing wrong with that. But don't limit me on the way that you limit yourself.
Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
We were all expecting to finish [Downton Abbey] after Series 1, actually. And then, it got extended to Series 3, and that's when two of our much loved and much missed friends left. And then, it was going to be done with Series 5, but Julian Fellowes said, "I'd like to do one more." So it's been a series of extensions, rather than wondering how much longer we can go on for.
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