A Quote by Julian Lennon
A lot of people think that I grew up in recording studios and knew the whole process, but that was never the case.
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Recording studios are interesting; a lot of people say - and I agree - that you should have a lot of wood in a recording studio. It gets a kind of a sweeter sound.
And for me the only way to live life is to grab the bull by the horns and call up recording studios and set dates to go in recording studios. To try and accomplish something.
Recording studios are filled with technology. They are set in their ways. And to update them means you'd have to change them back. That would be my idea of upgrading. And this will never happen. As far as I know, recording studios are booked all the time. So obviously people like all the improvements. The more technically advanced they are, the more in demand they become.
I mean, I've always felt like a lot of people's misconceptions of me have to do with how I grew up. I grew up poor, and I grew up rich. I think some people who have never met me have a misconception that when I was living with my father when he was successful, that I was somehow adversely affected by his success or the money he had and was making at the time.
At Harvard, I grew up a lot in terms of being able to deal with different types of people because where I grew up in Arizona, it's predominately white and predominantly Mormon families, so there's not a whole lot of diversity.
I grew up in - I personally grew up in a gun culture. I grew up in upstate New York where most families had guns for hunting, target practice, whatever. The vast majority of people I knew never used their guns for any crime.
When you work this intensely on something, the recording process becomes a bit like cabin fever. I shut everything out and, for a while, I totally lost perspective. To an outsider, I imagine the whole recording process sounds like torture.
We grew up as poor people but we never knew poverty. I still love and miss the Somalia I grew up in. Things changed, when my father became a diplomat later on.
I grew up in a little town where my family owned a newspaper and the TV station, so a lot of people knew who we were, and I never fit in.
I grew up on film sets but more around the process of making films. I saw a lot of the editing process and the writing process, which takes years. That really affected me growing up, that side of it.
I think distribution has become a lot harder. With the whole explosion of digital video, there's just a lot more people making films. Distributors have a lot more choice. I do think there's an audience out there for small films. It's obvious to me what the studios do: they've co-opted independent film. They all have their independent arm. They can afford to crush the competition.
We don't have a whole lot of people living hand-to-mouth in the Writers Guild, we get paid really well, and a lot of the things we fought for, in my case, I can negotiate. I can negotiate higher DVD rates or anything I want, it's not going to be a minimum basic agreement. But I do think it was important to stand up to them. I do think that we got things in the deal that we wouldn't have gotten had we not stood up to them.
I heard, one of my producers told me this story where like the Hollywood studios brought all these high-end consultants in to try to figure out how to improve their process and make films more efficiently, and these consultants like studied the process for years and finally came up with this report they put together about how studios can improve the efficiency of their process, and the conclusion was "have the script ready by the time you're shooting.
I'd say recording and playing on stage are two completely different things. Being up in front of all people is like jumping off a cliff into icy water. The recording process is a totally different energy.
I think the way WWE Studios is going now - they're going away from action, doing more drama, more comedy - it will open a lot of people's eyes. Because a lot of people see big guy, big frame: action superstar. We've proven, especially with 'Legendary,' that that is not always the case.
I grew up in the church not being able to listen to anything but gospel. So, while [other] people grew up with their parents listening to Marvin Gaye and Aretha Franklin, I never knew they existed until I was able to listen to what I wanted to.
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