A Quote by Julian McMahon
Everything was very specific and very fitted. I can't tell you what we went through for this job in regards to full body scans and the prosthetic process that you go through and all that kind of stuff, but everything was done very specifically to fit you perfectly.
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When you're working in cinema, you often have a very, very compressed schedule - very few weeks to just kind of go through that whole process of reflection and refining - and it has to be done.
The process that we go through in recording with Tool is very organic, but at the same time it is very thought out. There is a very left-brain process of dissecting what we're doing and drawing from source material; it's very research oriented and esoteric.
I change my mind every five minutes. I'm very brutal with my own process. I throw everything away very quickly, and then I have to go out and rummage through the rubbish in the middle of the night to try to find a bit I'd written a week ago.
Frozen peas can be shelled very fast with a wringer-type washer. Put a pan on one side of the wringer to catch the peas and the pods go on through. You will think peas will go through the wringer and be mashed the moment the pod hits the wringer, but they will pop out before they go through. A very fast job can be done this way.
It's very painful to lose, and it's a very difficult process to go through, especially at a place like UCLA where the standards are very high.
My approach is a bit unconventional because it kind of turns things around. I made a promise to myself at a very early stage that I wasn't going to try and force something into a specific shape. It's a process where I allow the songs to go where they want to go and it doesn't really fit into any kind of genre.
I am very fortunate, very grateful for everything that has happened to me, everything I've done, all the opportunities, so I'm very happy.
When I go from a role with heavy prosthetic makeup, which I've done quite a bit of as well, and then do a role where I'm not wearing any, I have to be conscious of toning everything down. Because when you're wearing prosthetic makeup, of course, you have to really move your face a lot more to convey things through the makeup.
When you're writing a book, it's rather like going on a very long walk, across valleys and mountains and things [...] The highest mountain on the walk is obviously the end of the book, because it's got to be the best view of all, when everything comes together and you can look back and see that everything you've done all ties up. But it's a very, very long, slow process.
David's [Cunningham] a very interesting character. He has more integrity than is good for him. So, everything he did after that sort of undermined what he'd done. Other people who kind of took life more cheaply, would have really gone for it. David almost did everything he could to scupper the whole thing, which I very much admire, but of course it was deeply irritating then, because we wanted to make a bit of money! So we made this very catchy tune and then he added a bunch of weird stuff which was all very strange.
'Higher Power' was the result of a personal experience: a friend of mine who went through the process of addiction and recovery. It's a very, very tough thing - very easy to become addicted and very, very hard to become a recovering addict.
When I went through what I was going through in prison, one of the things that was very distracting was the issue that it's a very dangerous environment. Moving through that process, I had to develop such an intense focus that I had to change my character and be someone else.
I must have done everything I had. You go through years where you go through everything you've ever written.
I must have done everything I had. You go through years where you go through everything you've ever written
I've been very careful. I've gone through pretty much everything. I'm very careful not to let go of the prized possessions, or too much of it that I'll regret in the future.
As soon as you come into the England team, the ICC get hold of you; you're put through this video, which is very watchable, very clear - it takes you back to when you were five or six, that's how clear it is. It outlines everything you're not allowed to do, everything you are allowed to do.
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