A Quote by Julian Sands

I subscribe to that school of thespian - to be a wandering minstrel or traveling player, a thing ofrags and patches, of ballads, songs and snatches. — © Julian Sands
I subscribe to that school of thespian - to be a wandering minstrel or traveling player, a thing ofrags and patches, of ballads, songs and snatches.
I subscribe to that school of thespian - to be a wandering minstrel or traveling player, a thing of rags and patches, of ballads, songs and snatches.
A wandering minstrel I A thing of shreds and patches Of ballads, songs and snatches And dreamy lullaby!
There was a time in medieval England when they had wandering minstrels ... A wandering minstrel would have been Frank Sinatra's counterpart had he lived during the time of Henry II in 1190 or 1180.
I am a troubadour, a wandering minstrel.
Undereye patches are genius. From traveling, I get really puffy under my eyes. Klorane Smoothing and Relaxing Patches are a great ten-minute trick to look refreshed. They're perfect for moms running on no sleep.
That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
I think up until the 'Honestly' album it was very much label-company lead, of 'this is a sound that we need, this is what you need to do. You need to do ballads, you need to do a million different types of love songs,' and I hate ballads and I hate love songs.
I didn't own a record player when I was younger. I just played every day after school and then started gigging around town. I heard bands and songs through friends of mine, but a lot of what I picked up on was learned by traveling through college towns.
I was definitely a thespian of sorts in elementary school. I went to a real small private school, and every year, I participated in the talent shows and the school plays - all of 'em.
I was definitely a thespian of sorts in elementary school. I went to a real small private school and every year I participated in the talent shows and the school plays, all of 'em.
In my player, I have a Luis Miguel CD as well as a Brian McKnight CD. I'm known for my very romantic ballads as well as the fun, up-tempo pop songs.
Your roots, your family, your friends all become so much more important to you as you get older, especially if you are a wandering minstrel like me.
One of my earliest inspirations was the 'Allan-a-Dale' character played by Elton Hayes in the 1954 movie 'The Story Of Robin Hood And His Merrie Men.' He was a wandering minstrel with his guitar.
I'm not somebody that has an encyclopedic knowledge of ballads and could sit around a fire and sing songs for three hours. I basically only know the songs that I've taken on and reworked and recorded.
The first time I encountered Stephen Sondheim was like everyone else: through snatches of old songs people performed in drama school, through 'Send in the Clowns,' which everyone knew. I wasn't aware at the time that he was the writing force behind 'West Side Story' and 'Gypsy.'
Melodies are far more interesting. They are there, in your face, in certain sections of the songs. People do complain about the melody thing, but we do hit patches of melody and beauty, as well as the other stuff.
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