A Quote by Julian Schnabel
There are generations of people who have never seen a big plate painting in person. And they don't know what the hell they look like, they don't know what it feels like to stand in a room with them.
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I've seen a lot of political violence in my life. I know what it looks like. I know what it smells like. I know what motivates young men to do it. I've talked to them about it. I know what victims feel like, you know? I know the abominable effect it has on politics. I know how intractable it is.
I had forgotten what it was like, to be drawn to a person...I'd forgotten how your blood flows toward a person when they move, so that all at once you know what the pull of gravity feels like. and you know that this is something strong and important, something that you need for life, this woman moving through the room.
People know who you are when you've never met them. For them, through interviews and seeing you perform, they feel like they know you and you've never seen them before. It's really different, but it's awesome.
I know I don't look like the skinny slender model. I know I look a little different but people like to watch me for some reason. It feels good and I'm humbled by it.
When I did 'The Tonight Show' and Jay Leno was still there, he was very nice but it was surreal. It's like you can't believe you're standing there talking to that person. If you've seen them in a lot of movies or on TV you feel like you know them, just like my fans feel like they know me.
I've never done a kissing scene with someone even when you're friends. I mean that sort of even makes it weirder. If you don't know them or like them at all, you can kind of put some weird like ... I don't know. It's the strangest thing. Look at the person next to you and imagine making out with them now, while I film it.
I have a good imagination. Look, I know what it feels like to have a broken heart. I know what it feels like to feel something for somebody. I'm just too weird to be in a relationship.
I would have conversations with European artists. Meaning, people look at my painting and one person would say, "Oh, your painting is just like so-and-so!" Another person would say, "It's just like so-and-so." But at the end, it's a chain of relay like a marathon. There are so many so-and-so's that eventually it becomes mine. My dialogue was completely European, with the '40s, '50s, '60s artists, but on the exterior side I do big painting. It's post-Pollock. It's current. It's a meeting of the time. The Chinese side just comes out.
It feels good, you know. It feels like you're out there, you know, doin' your own thing, know what I'm sayin'? It's like, people can't really compare it to anything, and that kinda feels good. It opens me up to a lot of different arenas, a lot of different type of situations, you know like Tony Hawk will call. You know what I'm sayin'? I can just image if my songs was about shootin' up, and like sellin' cocaine, I doubt Tony Hawk would be callin' you know?
You know what guys do? They stand up for people. You know why? Two reasons. It's right. And it feels good. Even if the person doesn't know what you did. Maybe especially then.
People look at film in a gallery, and if they walk out after two minutes they know they haven't seen the whole work. But then people look at a painting for two minutes and think they've seen it. Certain paintings are made to be consumed fast. But some require a slowed-down time. You have to go back to them.
I've never had a celebrity crush! I don't believe in those, really. I feel like you have to get to know the person before you start to feel anything like that. People always think they know celebrities, but how can you when you've never met them?
It feels like now I - you know, I'm almost 80 years old - I can sit back and retire, you know, and say, 'Look, our young people are taking over.' And that's great. That's what I'd like to see.
You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.
Ive never had a celebrity crush! I dont believe in those, really. I feel like you have to get to know the person before you start to feel anything like that. People always think they know celebrities, but how can you when youve never met them?
When something feels really big, too big to handle, just go very small. Just go real small, just look at the person next to you and look in their eyes and meet the person next to you, find out their name, change one person's life and make one call, write one letter, give one dollar. Whatever small thing feels like what you can do - it changes the course of the ship and that is all it is.
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