A Quote by Julian Schnabel
I think basically I'm a painter, but I would use anything to make my point.
Related Quotes
I use different media, but I still think as a painter. I organize my forms and colors on a screen like a painter does on a canvas.
I am a good horse to travel, but not from choice a roadster. The landscape-painter uses the figures of men to mark a road. He would not make that use of my figure.
Basically, if you want to have a computer system that could pass the Turing test, it as a machine is going to have to be able to self-reference and use its own experience and the sense data that it's taking in to basically create its own understanding of the world and use that as a reference point for all new sense data that's coming in to it.
I think the one thing I would point to as a primary reason, basically, is that I was a gigantic ass, ... It's the first time I got dumped in my life.
If you can create a reality that is entirely fictitious, it doesn't owe anything to this stuff out here, but you interact with it on your own terms. I mean, if you took it to the point where finally you get, say, tactile feedback, so you were wired in in terms of the whole nervous system. The sensorium. You would have the ultimate art form. I mean, any painter would want it, any filmmaker would want access to it you know, any musician would want access to it. It would eliminate the need for the divisions between what we describe as the arts, converting the whole thing to experience.
I don't care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
The reason I do this job is because I started to be a painter. Making money in art was difficult. The easiest way to make money was to use art for some other reason. One of the easiest and most interesting from an economic point of view was fashion. Fashion pays.
I don't think there's anything really wrong with influence because I think that one can use another man's art as material either literally or just implying that they're doing that, without it representing a lack of a point of view.
I am not a painter. I am a poet. / Why? I think I would rather be / a painter, but I am not.
When I was on 'Xena,' I remember the sound guy and the director at some point being like, you have to make sounds when you fight, and I was like, what are you talking about? You're never going to use it. But they hounded me for a good couple of hours, and basically it was, you need to act, you can't just perform the moves.
Saying gay people shouldn't be the punchline is basically saying don't make people the punch line, which I think is ridiculous. The whole point of comedy is, on some level, to make fun of ourselves and put everything into an absurdist context.
I always think about what's the difference between being tenacious and having an inability to learn from failures. The difference between the homeless guy who wanted to be a great painter and the guy who is a great painter could be anything.
I might not be able to use the word "hope," but I could certainly use the word "optimism." I'm very optimistic. I don't feel that it helps to be pessimistic. At some point in my life I made a conscious decision that I would try to be optimistic - not blind to anything at all - but to always hear the way that had the best chance for happiness.
I think our 'Reno' cops are, basically, if you made us make fun of ourselves at a party. That is what we would do. We would do those characters and not really think about it. We didn't develop the characters; everyone just put on a name tag and started improvising.
When you put a tour together you really just think about who you'd like on your bill, who would make sense and who you would want to live with basically for a couple months and be around with and work with.
A painter must think of everything he sees as being there entirely for his own use and pleasure.
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