A Quote by Julian Schnabel
When I'm making a movie, I don't like to know what's going to happen next. I like to watch something and be surprised all the time, and just not know, and let it take me wherever.
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Then you have these people in the movie theaters that talk the whole time during the movie. You ever go with somebody like that to a movie but you don't realize until you get there that you're with somebody like that? Brand new movie. First day it's open. You're there together and the entire time they're sitting there: Where's she going? Why'd he do that? Is he mad at her? I don't know, let's watch and find out together shall we? You know who you are. You're denying it right now: I do not do that. Why is she saying that?. What's she gonna say next?
I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.
I'd love to do a Paul Greengrass movie, or something like that, that's a character-driven action film. I'd like someone to make me go to the gym every day, and all that stuff. I don't know. Wherever the good characters are, I tend to try to get a job. It was nice because this was dipping my toe in the action genre. Maybe I might put my foot in, next time.
We're just not the type of artists that take anything for granted and just feel like, 'Oh yeah, you just know something great is going to happen.' We're not like that.
I owe a great deal to Revenge Of The Nerds movie and I loved making it. But I've said this a lot: My character is as far from me as it's possible to be. People feel like they know who he is, and when they see me they just assume that I'm going to be like that guy. For me, to be that kind of anti-social misfit was something that I found to be a real challenge.
I like movies that work on two levels - like The Simpsons, kids can watch it and adults can watch it. Teenagers can watch Hostel and if they want to see a blood and guts violent movie they're going to have a great time. They're going to scream and yell, it's a great date movie because they're going to squeeze their date and their date is probably going to be too scared to go home... so you take them home and put on Dirty Dancing and everybody wins.
I love the idea of making movies that kids and adults can go to together and both get something out of it, and not just, 'Oh, I've got to take my kid to the movie because they want to see the next, you know, 'Hannah Montana' movie or whatever.'
I just know you can not be on top forever. There's always going to be the next guy, and if I'm going to go down, I'd like to know I helped the next guy take my spot. You can't prevent the inevitable, but you can join the ship.
People always ask me, 'I don't know how you could watch that, how that affects you,' and I just tell them, 'I went through it in real life, so it's like pilots watching a 'Top Gun' movie or cyclists watching a bicycle movie,' something like that.
I think what's surprised me about the music industry is that you never know what's going to happen. I've had to teach myself that, because I love to know everything. I'm quite a control freak when it comes to stuff like that.
Draft night for me - I watched it in my dorm in college. And it started off with just me and a friend, because I knew I probably wasn't going to get picked right away. I thought it was going to be a little later. But, you know, you watch the whole thing. You never know what might happen, so you gotta watch.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.
I feel like at the end of your days, the last thing that's going to happen is that you're going to watch the movie of your life. It's very important to make sure that you love your movie and that you want to watch your movie, so I try to always make sure that I'm doing something fun and interesting.
You don't get any mixtapes, you know, 'cause I don't like my voice in there. I want to be that, but that's just not me, you know. And I'm very impatient; if I don't do it right, I'll be like, well, 'Ok that's the best I'm gonna do it.' Because I feel like if you take too much time on something, you lose the motivation for it.
That's the kind of TV I like to watch, where you just don't know what's going to happen.
There was a time in my 40s where I thought, oh, it's all over - not just work, but I'm never going to feel young again, I'm always going to feel like I know what's going to happen, I'll know what to expect. Looking back I don't know if that was a midlife crisis, I don't know - but I don't feel that now. There's possibilities. It gets better.
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