A Quote by Julian Schnabel

I don't think my paintings are self-conscious but you feel the consciousness of them. Without them being self-conscious. — © Julian Schnabel
I don't think my paintings are self-conscious but you feel the consciousness of them. Without them being self-conscious.
I didn't feel self conscious 'cause my sisters and I all had thick brows, and by the time I got to the age that I could be self conscious about them, they were in style!
When you are self-conscious you are in trouble. When you are self-conscious you are really showing symptoms that you don't know who you are. Your very self-consciousness indicates that you have not come home yet.
A great deal of my battle, as an actor, is to widdle away the things that make me self-conscious and try to trick myself into not being self-conscious.
I don't like the camera. I get very self-conscious with it and then spend way too much time not looking self-conscious instead of being free, as I do on stage, to do my work.
Conscious business.. business that is conscious of inner and outer worlds.. would therefore be business that takes into account body, mind, and spirit in self, culture, and nature. Put differently, conscious business would be mindful of the way that the spectrum of consciousness operates in the Big Three worlds of self and culture and nature.
Great acting can be almost a psychotic mix of self-consciousness and unself-consciousness. And thats the terrible conflict. You have to be free to jump off into that volcano and you have to be pathologically self-conscious.
Don't think. Thinking is the enemy of creativity. It's self-conscious, and anything self-conscious is lousy. You can't try to do things. You simply must do things.
Are black people conscious of how excruciatingly self-conscious white people have become in their every interaction with black people? Is this self-consciousness an improvement? Maybe not, because I'm thinking of people in categories rather than as people, which is a famously dangerous thing to do.
I think my voice worked out fine, but it was a lot of work for me. And I was very self-conscious about it. I was a bit self-conscious about writing lyrics too.
I really hate being self-conscious—and being conscious of being self-conscious
What is difficult to understand is that without conscious effort, nothing is possible. Conscious effort is related to higher nature. My lower nature alone cannot lead me to consciousness. It is blind. But when I wake up and I feel that I belong to a higher world, this is only part of conscious effort. I become truly conscious only when I open to all my possibilities, higher and lower. There is value only in conscious effort.
Free passion is radiation without a radiator, a fluid, pervasive warmth that flows effortlessly. It is not destructive because it is a balanced state of being and highly intelligent. Self-consciousness inhibits this intelligent, balanced state of being. By opening, by dropping our self-conscious grasping, we see not only the surface of an object, but we see the whole way through.
I think a lot of acting is about the removal of self-consciousness. The actor is going to be in front of a lot of people, and will naturally feel self-conscious. So a lot of the preparation for that is the removal of that idea. Like you embody or are connected to this character, therefore you can present this character in a way that eventually, when you come back to see it, you feel not exactly ashamed of.
A great deal of my battle, as an actor, is to whittle away the things that make me self-conscious and try to trick myself into not being self-conscious. So, it's always a challenge, whether I'm lying in a hospital bed or flying around with a rocket pack on my back, or what have you. On the best of days, it's a challenge for me.
Parents who engage in this kind of [conscious] parenting understand the power of being present being mindful to take the time to build connection understanding that this foundation is the bedrock of all later self-worth, self-esteem and self-actualization.
Half the time, when I first run onstage, I can't look directly at the audience just because of self-consciousness. It's human nature. Sometimes you feel like the man, and sometimes you don't. But sometimes that self-conscious energy is good for the show, it draws people in more.
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