A Quote by Julian Schnabel
I was always very... impatient about showing my paintings to people.
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The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, 'let's get on to the Botticellis as soon as possible.' I have lingered, of course.
What inspires me to paint is life, my emotions, through my paintings I want people to understand that life isn't always happy but you should be always hopeful that's why I use bright colors in my paintings, that's what I want people to feel about me and when they see my art.
Other people can’t cause us to be impatient unless we let them do so. In other words, others don’t make us impatient. We make ourselves impatient, through our expectations and demands, fixated attachments and stuckness.
People are still making paintings. People are still enjoying paintings, looking at paintings. Paintings still have something to tell us. There's a way of being in the world that painting brings to us, that painters bring to the task that we absorb and are able to be in dialogue with. That's something that's part of us.
I like showing different types of comedy - showing that I could tell a story, or showing that I could do a one-liner, showing I could do stuff about music - so just trying to be versatile and talking about different topics.
They asked me to do a show, and I was planning on showing my figure paintings. But my friends told me I shouldn't - the paintings were good but a little old-fashioned. They said, "Why don't you show the other stuff?" I had also been making rather strange objects, more in the Freudian tradition.
I’m not a sociopath or a freak (although I don’t suppose people who are sociopaths or freaks self-identify as such); I just don’t enjoy being with people. People, at least in my experience, rarely say anything interesting to each other. They always talk about their lives and they don’t have very interesting lives. So I get impatient. For some reason I think you should only say something if it’s interesting or absolutely has to be said.
My early paintings weren't that good - I was very influenced by Francis Bacon. But there was a kind of intensity there. And however influenced they may have been by other people, even my earliest paintings were recognisably my own.
Then it's very easy to point fingers at other people and use this kind of rhetoric, infestation and comparing people to rodents, insects, showing them as very undesirable people - not people who feel the same, who care about their families too, no, but as people who are different and less human, to dehumanize them.
I'm very impatient. I always want more.
I think that people tend to look at the paintings as being resolved or finite. But, to me, a painting can be an index for all of the paintings I've done and all of the paintings I'm going to do. It's like if I'm doing a film of the Olympics, I'm not examining a specific sport; I'm interested in the overall context.
I enjoy thinking about how paintings can change depending on where they are - how they look in a gallery or in relation to other paintings, or in different rooms. Paintings can change the way we experience and see the world.
I tend to be very impatient, thinking about all the ways we can do something, my mind and hands spinning at a very fast rate.
I have no ideas about what the paintings imply about the world. I don't think that's a painter's business. He just paints paintings without a conscious reason.
I'm cynical by nature, but I am also very hopeful because I see people from the Left and the Right showing up to these tea parties. You have people, bikers, union members and guys in three-piece suits showing up to these things.
Even as an 18-year-old, I had to grow comfortable with my leadership style, which is that I was really impatient with under-motivated people - extremely impatient, to the point where I was counterproductive as a manager of underproductive people. And that hasn't really changed. If people need to be motivated, I'm no good.
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