A Quote by Julian Schnabel
I think not knowing what to think of your paintings is a good place to be.
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I think there's something kind of good about growing up in a place you know is not the cool place to be. I think it's good for your head.
I think you get most of the most interesting work done in fields where people don't think they're doing art but are merely practicing a craft and working as good craftsmen. Being literate as a writer is good craft, is knowing your job, is knowing how to use your tools properly and not to damage the tools as you use them.
To foster creativity, I think a little pressure can be good, but stress isn't good. Knowing that you have a defined window of time and you're going to dedicate your attention to it is a positive - but you can't think of it as needing a track that's going to change your life.
When you catch yourself thinking negative thoughts-thoughts that negate your highest idea about a thing-think again! I want you to do this, literally. If you think you are in a doldrum, in a pickle, and no good can come of this, think again. If you think the world is a bad place, filled with negative events, think again. If you think your life is falling apart, and it looks as if you'll never get it back together again, think again.
You could have everything right but be in the wrong place. You think your business is no good, but really, the problem is your place is no good.
We can accomplish almost anything within our ability if we but think we can! Every great achievement in this world was first carefully thought out. Think-but to a purpose. Think constructively. Think as you read. Think as you listen. Think as you travel and your eyes reveal new situations. Think as you work daily at your desk, or in the field, or while strolling. Think to rise and improve your place in life. There can be no advancement or success without serious thought
I think, with a negotiation, you have to go in knowing what you want, knowing what your bottom line is, and knowing what you might accept if you're absolutely pushed.
I think that people tend to look at the paintings as being resolved or finite. But, to me, a painting can be an index for all of the paintings I've done and all of the paintings I'm going to do. It's like if I'm doing a film of the Olympics, I'm not examining a specific sport; I'm interested in the overall context.
People say you make your best work when you're in despair and all that, and at your lowest - but for me, I think happiness makes you positive, and I think that's a good creative place to write from.
The one thing in most communities, the staple is the basketball court. And when that looks good, I think the community feels good about itself, knowing that people care and have an opportunity to not only play there, but it's also a social meeting place.
I think that [having not a lot of time sweating the details] can be both a strength and a weakness. I think it depends on how [Donald Trump] approaches it. If it gives him fresh eyes, then that can be valuable. But it also requires you knowing what you don't know and putting in place people who do have the kinds of experience and background and knowledge that can inform good decision making.
I think art is good at looking back and looking forward. I don't think art is good at looking head-on. At the end of the day, people are more important than paintings.
I think that people who can't believe in faeries aren't worth knowing. I just think that alternate realities make you a good writer. If your work is any more than one dimension, you believe in faeries.
I think when you have your hair and makeup done, and there is good lighting, and you love your outfit - I think that's when you feel most sexy. But also, I think when you are working and people are complementing you, that you are doing a good job.
I think people who are compelled to achieve never really think they've achieved... I think the moment you get to a place when you think 'Oh I'm a fashion legend' then that's when you're no longer competitive in your field.
I think I tend to destroy the better paintings, or those that have been better to a certain extent. I try and take them further, and they lose all their qualities, and they lose everything. I think I would say that I destroy all the better paintings.
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