A Quote by Julian Schnabel

Because I'm not doing it for the money, I'm doing it because I feel like that story needs to be told or clarified, or something needs to be shown about that. — © Julian Schnabel
Because I'm not doing it for the money, I'm doing it because I feel like that story needs to be told or clarified, or something needs to be shown about that.
My parents telling me that if there is a story you feel compelled to share, then you are responsible for doing that. You can't ask someone else to take on that story - or you can, but you have to deal with whatever the fallout is. If the story doesn't end up being told the way you originally heard it or that you feel it needs to be expressed, that's on you.
Russian people really don't like it when somebody does horrible things in Russia, and then can calmly go travel to another country and spend time there. And this is what needs to be done: the Russian people need to be told this, because in today's world, just doing something is not enough. You've got to tell about it, too. If you've done something and haven't told about it, it's as good as if you hadn't done it at all.
Who says you need to wait until you 'feel like' doing something in order to start doing it? The problem, from this perspective, isn't that you don't feel motivated; it's that you imagine you need to feel motivated. If you can regard your thoughts and emotions about whatever you're procrastinating on as passing weather, you'll realise that your reluctance about working isn't something that needs to be eradicated or transformed into positivity. You can coexist with it. You can note the procrastinatory feelings and act anyway.
There are some movies that you feel like doing because of the script. Some because it sounds like fun, some because that's the director you want to work with, some because it's a project that you want to be involved with, and some because you will be paid lots of money. But the bottom line is I must feel like doing it.
Doing films in Latin America is like an act of faith. I mean, you really have to believe in what you're doing because if not, you feel like it's a waste of time because you might as well be doing something that at least pays you the rent.
I'm apologetic when I feel like I've made a mistake. And when I have done a disservice to myself or someone else. But I don't feel a need to apologize for doing or saying something that I think needs to be said, just because it may not sit comfortably with somebody else.
All you do as a performer is keep doing it. If you keep doing it, then it depends on why you're doing it. If you're doing something for superficial, monumental reasons and if you're doing it for female attention, or if you're doing it for money, it's like being upset. Only way you can get upset is when you expecting something. If you don't get this award or don't get that award, that because you expect something.
Ecstasy is our very nature, not to be ecstatic is simply unnecessary. To be ecstatic is natural, spontaneous. It needs no effort to be ecstatic, it needs great effort to be miserable. That's why you look so tired, because misery is real hard work; to maintain it is really difficult, because you are doing something against the nature.
All anyone needs to enjoy the state legislature is a strong stomach and a complete insensitivity to the needs of the people. As long as you don't think about what that peculiar body should be doing and what it actually is doing to the quality of life in Texas, then it's all marvelous fun.
Urijah's about Urijah. He's about number one. He's always been that way. No matter what it is he needs to be doing something better than you, he needs to be one-upping you. He's a one-upper.
You know when I think about what I'm doing - what I'm doing and the way I'm doing it is more important to me than any amount of money or anything like that because it's my artistic work.
People think, 'Oh my goodness! I have to do something really big.' You don't. Do what you love. There's a great quote from a poet I use all the time: 'Instead of asking what the world needs, ask yourself what you love,' because what the world needs is more people doing what they love.
I love the idea of working with women because I always feel like a man designing womenswear needs women around him to really have a sense of what they're doing.
I love being convincing. I love when a gesture is convincing and I love doing research for a picture. If you're telling a story you need a background. Just like a novelist needs background information to make a story interesting, I think an artist needs it for a picture too.
Am I doing the movie because I'm really excited about it and want to do it, or am I doing it because it seems like it's a big budget or something like that? It would still have to be the right thing, because my lifestyle's really cheap and I'm able to exist doing smaller movies, so if I'm able to do that, I'm happy to do that. But if something bigger came along that seems really cool, then that would be great.
The tactician must know what to do whenever something needs doing; the strategist must know what to do when nothing needs doing
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