A Quote by Juliana Harkavy

I did two episodes of 'The Walking Dead,' and it was enough to have time to get in there and really get the meat of it, but also then move on and take that experience and bring it into the next one. It was a great stepping stone.
You shouldn't be afraid of failure - when something fails, you think, 'What did I learn from that experience? I can do better next time.' Then kill that project and move on to the next. Don't get disappointed.
I actually come from comics, and I'm big on comics. I was reading 'Walking Dead' from the beginning. Then just being on the show, I was really lucky to work on episodes like 'Pretty Much Dead Already' and 'Clear.' I worked a lot on episodes that I didn't write.
The next time I move I hope I get a real easy phone number, something like 2222222. People will ask, "Mitch, how do I get a hold of you?" I'll say, "Just press two for a while, when I answer, you'll know that you've pressed two enough."
I don't see my show as a stepping stone to something else like some people, who get a job then have a foot out the door looking for their next job.
Funny enough, the first time I watched 'Arrow' was because Audrey Marie Anderson, who plays Lyla, was in my episodes of 'The Walking Dead' with me.
My time as showrunner on The Walking Dead has been an amazing experience, but after I finish season three, it’s time to move on. I have told the stories I wanted to tell and connected with our fans on a level that I never imagined. It doesn’t get much better than that. Thank you to everyone who has been a part of this journey.
'Walking Dead' has done great on Netflix, but to pay for the full output deal just to get 'Walking Dead' didn't make sense.
It's hard to get material. I haven't made a movie before. I have two episodes of television that I think have come in really great, but it's really hard to get directing work.
I go on the road all the time, but I'm only performing for two hours a night, and then I'll do a meet-and-greet, and then I'll get a bite to eat, get drunk, pass out, wake up the next day, sleeping the next day, sleeping off the hangover, and then I'm in the next city.
The way through the challenge is to get still and ask yourself, 'What is the next right move? What is the next right move?' and then, from that space, make the next right move and the next right move.
When you're a co-host, you've got to consider what the other person is saying and take the next step and get the laugh or get to the end of the story. You've got to make it happen and then move on to the next story.
The best way to move a mountain is one stone at a time. Nothing is insurmountable if you take one step before you take the next.
I started 'SNL,' and I became the one who did impressions. I did that, but then I wanted to get an original character on, and that took a long time to get one on that stuck. And then I got Vinny Vedecci on - 'Oh great' - and then it took a couple more seasons to get Greg the Alien on. You have to have some patience.
What television has done is it's given me a stepping stone to get to some other countries and really wild destinations throughout this world, which perhaps I would have had to struggle to get to.
I thought Houston was a small and good stepping stone for me to get my career back on track and get a chance to compete somewhere and get that opportunity to start.
Basically the movies I make are my life, so I choose how I want to live my life for the next two years. So that's a decision I have to make. At some point if I feel there are enough elements - it doesn't even have to have great characters or great stories - it's just elements that can get my excitement and curiosity for one or two years, then I'll jump in and I'll find out what that is. Then I have to do [interviews like this] and rationalize why I do this.
This site uses cookies to ensure you get the best experience. More info...
Got it!