A Quote by Juliana Harkavy

I guess I'd love to play Storm in 'X-Men.' — © Juliana Harkavy
I guess I'd love to play Storm in 'X-Men.'
And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.
The outer storm ceases the moment the inner storm ends, for they are the same storm.
The wise man in the storm prays God not for safety from danger but for deliverance from fear. It is the storm within which endangers him[,] not the storm without.
Fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step.
It is the wind and the rain, O God, the cold and the storm that make this earth of yours to blossom and bear its fruit. So in our lives it is storm and stress and hurt and suffering that make real men and women bring the world's work to its highest perfection.
But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it.
I love, love, love music - have since I was a kid, and I'm still really into music - and I became a singer because I was too stupid to learn how to play an instrument, I guess.
When you play defense you have to storm the fort or play cover - you can't do both.
Once, Turner had himself lashed to the mast of a ship for several hours, during a furious storm, so that he could later paint the storm. Obviously, it was not the storm itself that Turner intended to paint. What he intended to paint was a representation of the storm. One's language is frequently imprecise in that manner, I have discovered.
He knows when we go into the storm, He watches over us in the storm, and He can bring us out of the storm when His purposes have been fulfilled.
The Eagle does not escape the storm. The Eagle simply uses the storm to lift it higher. It spreads its mighty wings and rises on the winds that bring the storm.
I love Las Vegas, but I never get a chance to play a club like the House of Blues. I guess we've graduated to a bigger scale than that. When the Eagles come in and play, that's on a grand scale.
I love 'The X-Men;' that was the first comic series that I was dedicated to, because I feel like you can pick your player. 'I'm the most like Gambit... or I'm totally a Storm.'
What it is now is basically I'll sit on my computer; I basically kind of play the computer as an instrument, I guess you could say. I guess I play the Mac.
My job is to go out there and play. I mean, I guess you could guess who I would rather play for. We're not going to sit here and say that that's a huge secret. I mean, whoever they decided to bring in, my job was to help them win to the best of my ability.
love is a hawk with velvet claws love is a rock with heart and veins love is a lion with satin jaws love is a storm with silken reins
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