A Quote by Juliana Hatfield

I wanted to be a writer. I still want to be a prose writer. I feel I am more temperamentally suited to that kind of life, although there are things I still want to do with music.
'Made it as a writer'? I'm still wondering if I've made it as a writer. I've made it as a published writer of the type of SF that I want to write and read, but I'm still waiting for that big breakthrough.
I feel a lot older than I am but at the same time I don't want to play too old on T.V. I still want to be young. I still want to be 20 and enjoy this period of my life where I still have that flexibility.
It was one of those early mid-life crises, really. I started asking myself, 'What is it that I want from my life?' This question kept haunting me: 'Do I want to be a lawyer who always wanted to be a writer, or do I actually want to be a writer?
I can write any kind of novel I want, any time, and sell it, but there's not that many people watching it. Even a low-rated TV show is a couple million more people than read my books. You want to be read, in essence. If you're a television writer, you're a writer and you want people to read your stuff. You're still reaching a bigger audience, that way. That's a philosophical way to look at it.
I never wanted to be a celebrity writer. I wanted to be a good writer. I'm still trying to be a good writer. That's what gets me out of bed in the morning.
I want to direct in Denmark. I married a writer; my best friend's a writer, so I always wanted to be a writer.
I'm a preacher first and a writer second, although my role is changing a bit at the church. I'm going to bring on a co-teacher, but I'll still be a pastor and a writer.
I guess I've always wanted to create my own stories, but writing was one of those things where I thought that I would never actually do it. I respected writers too much, and what they do, to think that I was one of them - and I still feel that way a lot of the time. I still feel uncomfortable calling myself a writer. I'm like, "No, I'm an actor who writes sometimes."
I still have a suspicion of charity and think the state has a role to play in many areas. And although for most of the years since I have been a rather privileged writer, I identify more closely than perhaps I should with those social workers. Had I not become a writer that would have been me. Lots of our friends are still in that world and I do feel part of that generation of people who were rather idealistic in the 70s and became disillusioned in the 80s. Not just about social services issues, but the world.
- I don't want to be a writer so I can write about my life. I want to be a writer to escape from it. + Then you shouldn't be a writer.
I don't feel when I'm writing that I'm drawing from any other writer, but of course I must be. The writers I've admired have been not so very different from myself: Evelyn Waugh, for example, that kind of crystalline prose. And I've always admired W. Somerset Maugham more than any other writer.
I am a super-confident writer, and as a joke writer and as an actress, I'm like, 'I want to go head-to-head with every person.' I am an Indian woman and I'm a kind of double minority in this world.
So I really began as a failed poet - although when I first wanted to be a writer, I learned to write prose by reading poetry.
I'm still not sure I want to be a writer. I think of myself as a storyteller more.
Becoming a writer can kind of spoil your reading because you kind of read on tracks. You're reading as someone who wants to enjoy the book but also, as a writer, noticing the techniques that the writer uses and especially the ones that make you want to turn the page to see what happened.
Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.
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