A Quote by Juliana Hatfield
I love playing in front of people. I feel powerful, 'cause I don't have to really say anything - I'm just singing.
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I'll never feel as comfortable singing as I do playing. The mandolin is my real voice. My actual voice is sort of my secondary voice, but I love to do it and I love giving people relief from playing with a little bit of singing.
When I do interviews, sometimes I'll just be like "Why the hell did I say that?" because after I hang up the phone I realize there were so many things I could have said, but my brain just goes on lockdown. There's something about having conversations with people that's so much different from just singing and playing guitar. And I think a lot of people are actually performers because of that. I can't really explain why. It's like just the only chance you have in life to feel really good and outgoing.
That would really be my fantasy - maybe just do three shows a year and each year in a different city, just singing for the people who really want to see it, and then just write for other people. I do love to sing, but I'm just as happy singing in the bathtub, you know?
When they're people who are your fans, you know, 'cause they really feel what you're singing, that's my favorite
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
Not that I feel like I have a lack of confidence, it's just good to stand up in front of people who don't really know what to expect. Am I going to say something? Am I going to sing? And often when I do say anything it gets a laugh, because everyone's already used to laughing. So I can seem like I'm actually a funny person.
I love the live shows when they're on and all singing great but I hate it when the judges say bad things about their singing. I feel sick because I feel it is mean because I've done the reality TV thing so I have such strong memories of what it feels like and I just imagine how bad and how nervous they must feel.
It does feel really good when you play a new song, and it's the loudest singalong of the night. It means just as much when we're playing the old songs, and people are singing along to those, too.
I love acting. I love stage work, more than anything. It's just live. It's right there in front of you. If you make a mistake, they know it and you know it. I won't do anything where I feel like I'm just making a fool out of myself. By doing that, I'm able to rise to my highest potential.
People always say to me, 'It must be so much pressure and so difficult playing out there in front of 60,000 people.' I always say, 'No, not really.' Playing football and earning great money isn't difficult. Working three jobs and raising kids alone, which is what my Mum did. That's difficult.
You're either singing on TV or in front of a full cathedral and there's a bit of pressure there. I know it sounds funny but if you get used to doing it, then performing in front of people playing cricket is the same sort of thing.
I'm not someone who can sing anything... And my favorite singers aren't people whose voice you would say is amazing. I'm a big Bob Dylan fan, a huge David Bowie fan... none of those people have orthodox, cabaret voices. These are people where what they're singing about is just as important as how they're singing it.
I love singing, but I feel very naked and very vulnerable when I'm singing sometimes. With acting, I always think that it doesn't matter what you are as long as you're truthful in that moment. But with singing, you always have to hit the note. It's not like you can just go, 'Oh, it doesn't really matter what note you sing!'
I believe that I'm a special player. I think people love the way I just try to play. I don't try to impress anyone when I'm playing or anything. I just have a feel for the game.
There's something about singing that I just love. It makes me feel freer than anything in the world.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
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