A Quote by Juliana Hatfield

When I start writing, I'll have a vague concept or I'll just have a title, and the song just goes on its own direction. Usually it goes in many directions within each song. They get really convoluted sometimes.
Sometimes I'll hear some music in my head or I'll go to the piano and mess around and come up with a tune, or be on the guitar and come up with some chords - or I'll come up with lines, or just some words, or just a sentence. It could be the title of a song. I do that all the time. I write titles of songs a lot. And sometimes I'll end up writing a song that I don't have a title for and I'll say, "Oh, this goes with that title".
I write titles of songs a lot. sometimes I'll end up writing a song that I don't have a title for and I'll say, 'Oh, this goes with that title.
On past records I usually did start with a story or an idea for a song and then write around it, but on Achilles' Heel I would just start writing and try to let the song and my sub-conscience determine the direction. which is a goofy way of saying I tried not to decide before hand what the song and or the characters would do and be like.
If you really want me to be safe, maybe it's time." "I'd just feel safer if you'd start sleeping in a coffin." Just then my door creaked open. Billy's expression turned to surprise. "Get out!" I said, hopping off the bed. "Uh...we are making up lyrics to a song." But that didn't keep Billy out. Instead he was totally interested. "You're writing a song? That's so cool. I want to hear it." "It goes, 'Safer in a coffin, and if your brother doesn't leave, he'll be in one too.
When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
Sometimes you're writing a song and you have an image whilst writing a song. I don't think you ever base a songwriting process around a video, but when you're writing a song sometimes it'll be a very visual song.
For the first records I really never thought about anything other than the song itself. I thought that this was what the job of a songwriter was. I was really approaching music from a very different standpoint. To me when I was younger the song was just the melody. I think as I've gotten older and have been recording myself I've become aware of just how many layers can exist within a song besides just the main vocal.
When you start writing songs on your own, there's no Bible, there's no one around you, so you're just writing, and you're left with, like, the dead space in your head to know if it's a good song or an interesting concept.
Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.
Once you really get into a song, other than just listening to it, it forces you to go 'oh, they did this. I never would have thought of doing that,' when you deconstruct it. It's something you really can't do sometimes when you're just listening to a song. You have to really get into it.
My drum parts are a song within the song; that's the way I look at writing my drum parts. They follow patterns, and they're written to interact with the rest of the band. There's quite a bit of thought that goes into it.
Solace is my favorite song. It was the last song we wrote for the record. It was right when we really started to mesh as far as music goes and we started really connecting with each other.
You don't realize how beautiful an idea is until you do it with other people. There's this really shimmery, awesome thing when you start finishing a song - where the song just starts writing itself.
One good thing about a good book or a good film, or maybe even a song, I'm not a musician but I love to listen to music, is the range that each piece is able to give you. Like 'Bohemian Rhapsody' by Queen, 1975, that song is so epic. It goes in so many different places, it's and opera and it is heavy metal, and it's so crazy as it goes every which way. I kind of like films like that.
When I've produced a song, I try to record a vocal over it, and sometimes it becomes really hard. Sometimes I've already said a lot that I want to say within the production. The vocal is just adding to it, rather than it being a song.
Sometimes I get in writing moods and I want to write a song every couple of days. Then sometimes I may not write a song for three weeks. It's just according to how it's hitting me at the time.
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