A Quote by Juliana Hatfield
The way I see it, all the popular singers are strippers.
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I don't think I'm turning back the clock by doing these old tunes. I love rock and roll and popular music. It's just that the spirits of the singers whose songs I do are living within me. That's why the songs come out in the voices of the original singers. I'm not doing imitations. That's the way they sound inside me.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
What sense or thought do they have? They follow the popular singers, and they take the crowd as their teacher.
Very few opera singers in history have been able to cross into popular music.
My favorite singers in the world have been black singers, and you can go to any church and hear the best singers in the world - and I'm a singer, and I love singing!
Yeah I'm telling real stories, but if you pick up a documentary on strippers, you're going to want to see some stripping, so we definitely got that in there.
I remember when I got into movies, the only way singers could be heard was to through playback singing in movies. Then gradually came the music companies promoting independent pop singers.
We're looking for stories that speak to us. We're looking for stories that connect us with something true. But, instead, a lot of the time we get strippers. All I'm saying is, when boys are writing the stories, the percentage of strippers is bound to go up. And real stories about real women kinda don't get written at all.
Singers come and go; the music business waxes and wanes. The blues are popular and unpopular, often at the same time.
I studied with Stella Adler and I didn't like the representational aspect of most opera singers. Most of the opera singers had not a false, but over theatrical way of presenting.
I have the background singers of Ray Charles, the background singers of Smokey Robinson, and the background singers of Barry White and I built a choir around that.
With my previous record deal, it'd be like, 'OK, so I have this track then, EMI - do you know any singers, maybe? Do you have any singers on your little label there?' And funnily enough, they didn't. But I prefer finding unknown singers myself anyway.
The way I see it, my blood, sweat, and tears are not just for me; it's for Fifth Harmony as well. We have been blessed. Most groups have lead singers, but we don't.
I feel there are tone singers, and there are more vocal gymnastics singers. And I think that's amazing when people can do that, but I think there's room for the tone singers. And there aren't a lot of them.
It's a wonderful way to get at who someone is through their own love of music and going right at their subconsciousness if you will. You don't play girl singers for girl singers. You know, there's certain things. You do play Ellington for Bobby McFerrin.
I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.
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