A Quote by Juliana Hatfield
I feel some kind of duty to be really, really honest as a writer. The same is true of my songwriting.
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One thing that I'm really interested in is the kind of esoteric detail that surrounds these great figures. And Wikipedia is full of that kind of stuff, whether it's true or untrue. It staggers me: why, in the short space assigned to a person or an event, that kind of random information is there. To be honest, that's wonderful fuel for songwriting.
Songwriting is something I really need to work on. I don't have very many songs but I really love it. I would love to be a great song writer some day.
When you are what we call a 'minority writer,' a writer of color, a writer of any kind of difference, there is some kind of presumption of autobiography in everything you produce. And I find that really maddening, and I resist that.
My songwriting process, and maybe loads of other people's, is just this sort of smashing together of emotions and stuff to make some music. It's kind of simple and really complex at the same time and, as you can see, incredibly hard to explain.
I think, then, there's the sort of, like, political dimension to lyrics. One of the problems that I've had with my output as a lyric writer is that I look back at it and there's some turn-of-phrases and some images and some kind of montage-y kinds of things I'm really proud of. But it kind of bums me out that people have told me again and again that they don't really understand what I'm trying to say.
He was so excited. He cut out pictures of these landscapes and neighborhoods and kind of really tried to give you a feel of the movie. It was kind of cute but at the same time it really showed his enthusiasm for it.
I really wanted to focus on my songwriting, or songwriting with other people. I wanted to go learn from other people who were really good at the classic, more traditional idea of songwriting.
I really like this trend of songwriting that is honest and intelligent and serious and longing.
Oddly, in a sense, I still have more confidence as a director than my ability as a writer. Somehow, directing is just really easy. It's just about being really honest about how you feel about what you're seeing.
Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.
I just feel like it's easier to co-write sometimes, especially if you have chemistry with somebody. It kind of takes all the pressure off of you. But, you know, I started writing songs by myself. I didn't really have a co-writer, besides my dad. When I see a record and it has a song on it that someone wrote [alone], I just really believe in them as a writer. I feel like it's a window into them, more than it is if you write a song with someone else.
I think me, Sean Bonnette and Laura Jane Grace, and a lot of the bands people feel that way about, we're just really honest in our lyrics. I think we got really lucky in that the right kind of people who would appreciate that heard us at the right time, because there are plenty of people that are honest in their lyrics.
Some writers are writing one great, big book and just taking all these different avenues towards it. They might seem on the outside to be different, but they're really not. And that's a different kind of mindset. I don't know why it is, but I just feel like I really want to escape myself as much as I can - myself as the artist, or as the writer, or as the thinker - with each new project, because one, it's just boredom, but also, I guess I just feel most comfortable starting a new book if I just feel a little in the dark about it.
When I read 'Greenberg,' I had a really strong sense if I could be any kind of writer I wanted to be, I'd be this kind of writer. And I felt like, even in my experiences, what writing I had done, even on a small scale, when it was good, it shared some quality with it.
Songwriting is actually a really great outlet. I kind of recommend it. You get to sum up whatever is going on in your life in a song, then perform it really passionately.
I suddenly started feeling that the magic of psychedelics wasn't in some other world or some other place, but that they put you in communication with other people. Most of the really heavy things that happened to me were when I was stoned with other people, - when it get all honest, when it got really high and all golden and beautiful and bright and white-colored under the power of truth, when you looked at them and saw true compassion, and you knew they really did love you, and you knew you really did love them.
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