A Quote by Julianna Baggott

When a colleague of mine had a notable New York Times book, I said, turn one of the chapters in the collection into a pitch for a novel and sell it to your publisher.
I can understand the allure of a venerable Big Six imprint, of a shot at the New York Times list, of a publisher-sponsored book tour, of seeing your hardbacks in bookstores and your paperbacks in supermarkets.
I'll have to self-publish it because unless you're on the 'New York Times' bestseller lists, anthologies don't sell all that well. However, low sales to a big publisher are a major success to a small one!
Some Sundays, I read it quickly - other Sundays, I savor it. I generally spend most of my time in 'The New York Times Book Review,' 'Sunday Business,' 'Sunday Review,' and 'The New York Times Magazine.' I turn all the other pages, only stopping when I find a headline that interests me.
When Paul Beatty's 'The Sellout' was first published in America in 2015, it was a small release. It got a rave review in the daily 'New York Times' and one in the weekly 'New York Times Book Review,' too, for good measure. But by and large, it was not a conversation-generating book.
Many years from now when your children ask what New York City was like just after 9/11, this will be the book you give them in response. It's an exquisite novel full of heart, soul, passion and intelligence, and it's the one this great New York author was born to write.
NATO could be obsolete, because - and I was very strong on this, and it was actually covered very accurately in the New York Times, which is unusual for the New York Times, to be honest - but I said, they do not focus on terror. And I was very strong. And I said it numerous times.
Many writers will get a contract by selling chapters and outlines or something like that. I wrote the entire novel, and when it was all finished, I would give it to my agent and say, 'Well, here's a novel; sell it if you can.' And they would do that, and it was good because I never had anyone looking over my shoulder.
Australian SF book publishing has undergone a boom recently, and sometimes it's easier for new writers to sell a book to a local publisher first, which then makes a US edition more likely.
Notable American Women is an enchanting and moving novel. Like Italo Calvino and Lewis Carrol, Ben Marcus reconfigures the world that we might see ourselves in a cultural and moral landscape that is disturbingly familiar, yet entirely new. As though granted a new beginning, Marcus renames the creatures of our world, questions who we are and who, as men and women, we might be. Notable American Women is a wonder book, pleasurable and provocative.
Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
If you read only the New York Times- I said, 'Oh my God!' The readers of the New York Times are heading for a major, major breakdown shock if Trump is in fact elected.
When you sell a man a book you don't sell just twelve ounces of paper and ink and glue - you sell him a whole new life. Love and friendship and humour and ships at sea by night - there's all heaven and earth in a book, a real book.
When I receive a new novel from a hopeful publisher - "hoping that I like the book as much as he does" - I check first of all how much dialog there is, and if it looks too abundant or too sustained, I shut the book with a bang.
There is a point where litigious becomes frivolous. And when you file frivolous lawsuits you can be hit by sanctions. I don't see the basis for suing "The New York Times." Ironically, it was "The New York Times" that was the plaintiff in "The New York Times" versus Sullivan.
Certain kinds of things that the novel used to do, which was, "Oh, I'm living out here in West Nowhere, Nebraska and I'm curious how the upper class in New York City lives, I guess I'll read a novel about it." We don't have to do that now. You just turn on the TV. Turn on Lifestyles Of The Rich And Famous. You can get that information anywhere. Novels don't have to do that anymore.
Wikileaks in its essence is a publisher, pure and simple. They were very much in the same position as 'The New York Times' and 'The Guardian.'
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