A Quote by Julianna Margulies

I don't have a lot of stomach for people who don't show up to a set knowing their lines because you're keeping 150 people waiting. — © Julianna Margulies
I don't have a lot of stomach for people who don't show up to a set knowing their lines because you're keeping 150 people waiting.
In filming you're waiting. You're waiting for lights. You're waiting for people set things up. And when you're not waiting, you're repeating. And neither is conducive to spontaneity, you know. Comedy makes you very, very neurotic because you think, I - but did I nail it?
In filming, you're waiting - you're waiting for lights, you're waiting for people to set things up - and when you're not waiting, you're repeating.
Being on set is a hard thing. A lot of people are like, 'Oh, you get to make a movie, and it's all fun.' But the reality is, it's a lot of hours. It's a lot of reshoots; it's a lot of waiting. And you can become increasingly agitated by the amount of time that you are waiting. But that's real.
Being on set is a hard thing. A lot of people are like, oh, you get to make a movie, and it's all fun. But the reality is, it's a lot of hours. It's a lot of reshoots; it's a lot of waiting. And you can become increasingly agitated by the amount of time that you are waiting. But that's real.
I travel a lot for work and have people waiting outside my hotel or call my room constantly or show up at whatever restaurant I'm eating at because I Snapchatted. It is a little terrifying.
When you audition for something, and you book it, you think, 'Okay, well, I got the job, and now I actually have to show up on set and do it.' So, you show up on set, and you don't know, 'Am I going to get swallowed up by these people?'
I often find that people's reactions to the show say way more about them than they do about the show itself. I think that's because a lot of it happens between the lines.
Knowing they were in the same city again made the missing him flare up inside her. In her stomach. Why were people always going on and on about the heart? Almost everything Levi happened in Cath’s stomach.
To have a creative outlet that you can control is really important because you do a lot of waiting to be cast, then waiting to go into production, and then waiting on set.
I hate the waiting room. Because it's called the waiting room, there's no chance of not waiting. It's built, designed, and intended for waiting. Why would they take you right away when they've got this room all set up?
Show your work, and when the right people show up, pay close attention to them, because they'll have a lot to show you.
I think you get the most honest performances when an actor shows up to set with their lines memorized. That's a very important thing that a lot of people seem to forget.
People who are not leaders automatically gravitate toward lines--limitations set by others. Many people are taught this in kindergarten when they are instructed to stay within the lines while coloring. But leaders are more creative than that. They look for options and opportunities. They try to take things in a new direction, or beyond the limit. Progress and innovation are made by people who think without lines.
It's one of those things that makes the Derby a great event, is when 150,000 people show up.
One of the most precious parts of acting is the work before you show up on the set, the time you spend being with your character before you bring that character to life. To me, that's the most rewarding part of it all. It feels very good to show up on a set just knowing that's with you.
I like the feeling of keeping people off-balance and having the audience not knowing where I'm coming from or keeping that mysterious.
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