A Quote by Julianne Hough

But trust me, if I lived in the '80s, I would definitely be the one going to the record stores. — © Julianne Hough
But trust me, if I lived in the '80s, I would definitely be the one going to the record stores.
I was in the generation of CDs, so when I moved to L.A., I think I probably brought my Shania Twain Come on Over CD. But if I lived in the '80s, I would definitely be the one going to the record stores.
My music has always been sort of in between categories. Sometimes record stores - back when there were record stores - they'd put my records in the country music section, but other record stores would put my records in the pop or even the rock section. As long as it's in the store somewhere, I'm OK with it.
My music has always been sort of in-between categories. Sometimes record stores - back when there were record stores - they'd put my records in the country music section, but other record stores would put my records in the pop or even the rock section. As long as it's in the store somewhere, I'm OK with it.
Radio Shack is meeting the fate of many other stores that were wildly popular in the twentieth century, including record stores, comic book stores, bookstores and video stores.
How about no one's ever going to outsell Michael Jackson at selling records because the record industry is over. Game over. There's no more record stores. With no more record stores there's no more pressing plants. With no more pressing plants, there's no more charts.
I think record stores play a huge part in discovering new music. When I was growing up I would spend hours going through all the bins looking for something new that seemed interesting to me and that could relate to what I was listening to at the time. This is why I want to support National Record Store Day.
Record stores are the hippest libraries. In these tired ole days of homogenized entertainment, where so much of the art of our society is culminated, dumbed-down and mass produced, there is a shining jewel in the rise of the indy record stores. Going to a record shop for me is like a little treasure hunt no one can take you on but yourself. It's fun to look around and see the other shoppers too...totally entrenched in their own adventure, anticipating the reward of heart wrenching, soul filling, joy making music that might just be a bin or a flip away.
When I was younger, definitely getting people to listen to me and believe in me. I think it's hard when you're a young girl in a record label full of male urban artists, which is definitely what Atlantic Records was and still is. Also, getting people to trust a young, female pop star that doesn't just want to be puppeteered was definitely a challenge for me.
Record stores keep the human social contact alive it brings people together. Without the independent record stores the community breaks down with everyone sitting in front of their computers
As a kid, I would always shop for my back-to-school clothes at department stores. I lived in a small town, and department stores were all we had access to.
Record stores are the backbone of the recorded music culture. It's where we go to network, browse around, and find new songs to love. The stores whose staff live for music have spread the word about exciting new things faster and with more essence than either radio or the press. Any artist that doesn't support the wonderful ma and pa record stores across America is contributing to our own extinction.
Even as a kid, if I would come across something cool in the record store, that would be how I found out about bands. It's kind of the same way these days. In a way even less because there are no record stores to go to anymore.
If it weren't for Criminal Records, Wax-n-facts and other indie record stores I could have only sold my CD's at my shows and by mail order as an independent artist. The greatest stores that have character and include a much wider range of music of music are all independent, mom and pop stores.
In the UK, tons of records are now sold in grocery stores, because there are no record stores - it's iTunes or the grocery store. And almost every band that had an impact on me was on a major label. There's value in people actually hearing things, as well.
Me being young, I'm going to definitely mess up a lot more than I'm going to make the right play, but I want my teammates to be able to trust me and look at me as a veteran guard trying to run the team.
Every person at a record company didn't want to be bothered with me because I was too smart. They knew if I recorded, they were going to have to pay me. They knew I wasn't going to be the artist that would just go in and record. I wanted to know about my royalties.
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