A Quote by Julianne MacLean

Writing is a solitary occupation, and we like it that way. — © Julianne MacLean
Writing is a solitary occupation, and we like it that way.
Writing is a solitary occupation.
Writing is, of course, a solitary occupation. But for many writers, myself included, it's through writing that we make certain vital connections.
Writing, by nature, is a fairly solitary occupation.
Writing is a solitary occupation; we don't really have any colleagues.
Writing fiction is a solitary occupation but not really a lonely one. The writer's head is mobbed with characters, images and language.
Writing is a solitary occupation, and one of its hazards is loneliness. But an advantage of loneliness is privacy, autonomy and freedom.
Writing is a solitary occupation. Family, friends, and society are the natural enemies of the writer. He must be alone, uninterrupted, and slightly savage if he is to sustain and complete an undertaking.
It's true that writing is a solitary occupation, but you would be surprised at how much companionship a group of imaginary characters can offer once you get to know them.
Writing, and especially writing a novel, where you get to sit in a room by yourself with either a pen and a paper or a computer for a couple of years, is a very solitary occupation. You can read sales figures - a hundred thousand books sold, half a million books sold - but they are just numbers.
Well I've been writing books. So that, by its nature, is kind of a solitary occupation. And from time to time I have research help, but mostly I've done those completely on my own.
Writing fiction is a solitary occupation but not really a lonely one. The writer's head is mobbed with characters, images and language, making the creative process something like eavesdropping at a party for which you've had the fun of drawing up the guest list. Loneliness usually doesn't set in until the work is finished, and all the partygoers and their imagined universe have disappeared.
Solitary. But not in the sense of being alone. Not solitary in the way Thoreau was, for example, exiling himself in order to find out where he was; not solitary in the way Jonah was, praying for deliverance in the belly of the whale. Solitary in the sense of retreat. In the sense of not having to see himself, of not having to see himself being seen by anyone else.
In terms of the idea of long-term occupation - I have been reading a little bit more about this period - and you can see in that occupation are many lessons for the current occupation of Iraq. So we have these connections that go way back that people aren't aware of.
I do paint, and I wanted to actually be a painter. Sometimes I'll whip out paints. It's tough to find the motivation, but it's also a solitary, lonely occupation. What I like about acting is that it is such a collaborative thing.
I think the occupation of my poetry is akin to this desire to be many things at once - things that sometimes conflict. Regarding how the quotidian makes its way into the work, it's all of it, in a way. Like, when I'm writing poems, I'm just picking up scraps of whatever is happening around me - a geographical location, a love affair failed, the day the air felt like rope.
Writing is a solitary existence. Making a movie is controlled chaos - thousands of moving parts and people. Every decision is a compromise. If you're writing and you don't like how your character looks or talks, you just fix it. But in a movie, if there's something you don't like, that's tough.
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