A Quote by Julianne Malveaux
References to everybody just disturb me, and it also disturbs me that the people who make policy are not the same people who live policy. When we talk about everybody, we are leaving a whole lot of bodies out.
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I never think of people's nationality too much. I always look at everybody the same. It's impossible for me to just say one group of people over separate groups of people. Maybe it's because I was raised in New York City which is this melting pot. Everybody was always the same and the whole point of my whole film existence was to say that we're just one race.
I make films because I am endlessly fascinated by people. I'm fascinated immediately to know about the lives that are going on around me. That is what drives me. And that is because everybody matters, everybody is there to be cared about, everybody is interesting and everybody is the potential central character in a story. Judging people is not acceptable.
Anybody that I like that you talk to about me will probably agree that when I'm hanging out with someone one-on-one, I have a tendency to build this attitude toward the world outside of us, it's us and them. I'm with you here, and you're with me, and we are in the club and everybody else out there is in that shitty club. The positive is I make people feel really special, and I also make some people really uncomfortable and judged, and I'm working on that.
My father says that almost the whole world is asleep, everybody you know, everybody you see, everybody you talk to. He says that only a few people are awake and they live in a state of constant total amazement.
I'm friends with everybody, I love everybody. I trust everybody because they don't give me reasons not to you know what I'm saying? So, if everybody just trusted everybody and if everybody just loved everybody then we'd live in a perfect world... you know what I'm saying? I mean, why not?
People mainly talk about the goals in football, so that's why people talk a lot about me, but a team is created with everybody's input.
It's one of those secrets that not a lot of politicians realize: The Internet is not a 10th-tier policy issue. It's not an add-on policy. It's something that affects everybody's life.
I think the truth is most people don't want to hear about policy. They want to hear, 'I understand what you're going through, and you can trust me to fight for you and what you care about.' But we can do both - fight for policy and resonate with people at the same time.
For me the root of evil today is the policy of President Bush. It is a fascist policy. I cannot understand how is it that the Jewish people, who have been the victims of Nazism, can support such a fascist policy. No other people in the world support those policies but Israel! This situation saddens me.
I don't make my music for just me or a few people. Hopefully everybody that makes music wants to be embraced by the people they tryna make it for, you know what I'm saying. It's just a matter of time before everybody gets the message that I'm tryna send out.
Well I don't know what the city of Hollywood knows about foreign policy, but do I know that a lot of people do learn and educate themselves about policy and I don't have to be a policy expert to know that this will be a disaster.
When we talk about 'reproductive rights' this is what we mean. It's the difference between people as objects, and people as agents: between regarding people as pawns on the policy chessboard and recognizing them as the players, the decision-makers, the drivers of policy; autonomous individuals intimately concerned with the direction of their own lives. Under these conditions women, especially, enjoy better health and live fuller lives.
If it's a shot for me, if I can make a play, create for someone else, I'll do that. A lot of times you run a play, everybody's watching, everybody's locked in, everybody's pulling over, and it just makes the game tougher for me.
Everybody understands that no matter what your day-to-day job is, when something happens, everybody gets involved to get it fixed and make it right. It really comes down to teamwork. When people come into the culture and see that everybody in the company plays a role to make things happen, they also act. When people don't, then it just doesn't work, and they don't make it.
I was really scared to make this album and to make this song. Because I didn't want to talk about it. For me, it's even deeper than just '1-800.' 'Everybody' as a whole... I was terrified.
At, like, 11, I think, that was just me watching a lot of YouTube videos, and I whenever I had the chance, I would talk to myself, practise pronunciation. Then I found out about hip hop and became friends with American people through Twitter. I was like, 'Yo, I need to be in a country where everybody speaks the same language.'
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