A Quote by Julianne Moore
If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy.
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My job as an actor is to try to do what the director wants me to do. I'm going to do everything I can to incorporate that note and make it work. If it doesn't work, I'll try this kind of thing, and "How do you feel about that?" If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy. Even when I was younger, there were times when you have to find a way to make it work for both of you.
It's difficult to really be an artist nowadays. People are just on another page. You have a society that needs you to say something, but they don't want to give you the environment to be able to be just a functioning, happy, normal person. It's like, the industry is at odds with you, the society is at odds with you. You start to live in this very confined box where it's like, It's "me" and "them."
When I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn't want to give up being the DP, and really wanted to do both. And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
When I feel like work and life are both going well, I feel like I can be fully present at both. I think the reminder to me is that both are super important, and I need to be able to feel like I can experience both in the way that makes me happiest. If I'm not happy in one or the other, it really affects the other side.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
There's no destination. There's no getting anywhere. There's just the going. The key to life is to make the going really fun. Because people that are like, “If I just get to this, then boom!” And then they get there and there's this dawning of an afterwards. Whereas I'm just always in the going. And it's not a frantic going like, “I gotta keep going or I'm gonna go nuts!” I can not do anything for weeks or months if I need to and just sit and read books or watch movies. I'm just as fine consuming and absorbing new art as I am trying to make it. But it's all in the going.
You have to be very flexible and understand as a director, especially as a writer/director, that you cannot hang onto stuff really hard. You have to be ready to accept those happy accidents and to anticipate that they are going to happen and capitalize on them.
I certainly would never overstep my bounds and make suggestions to a director. As an actor I'm trying to fit to the best of my abilities within the director's vision, and trying to find some happy rapport where we can both bring something to it that's fresh. Usually I've been lucky in working with directors who have trusted my instincts.
I was thinking about finding a coach and I was able to find a coach and he was based out of Germany, and I had no problem going over there training if I know this is worth it and is going to make me better. The worst that could happen is I don't like it. I really, really enjoyed it and was able to get a lot better.
Best advice that I ever got is to do whatever it takes to make myself happy, so that I'll be able to make others happy. If I'm not happy, I can't make other people happy.
The gods can either take away evil from the world and will not, or, being willing to do so, cannot; or they neither can nor will, or lastly, they are both able and willing. If they have the will to remove evil and cannot, then they are not omnipotent. If they can, but will not, than they are not benevolent. If they are neither able nor willing, then they are neither omnipotent nor benevolent. Lastly, if they are both able and willing to annihilate evil, how does it exist?
Odds are you know some narcissists. Odds are they're smart, confident and articulate. They make you laugh, they make you think; the first time you met, they probably charmed the pants off of you - perhaps even literally. The odds are also that that spell didn't last.
There's this old Frank Sinatra song: 'If you can make it here, you can make it anywhere'... that song was about New York, but it applies to America. People know that if you make it in America, you can make it anywhere, and that is both in terms of sophistication and customer satisfaction.
Nobody told Don Henley or me that we were going to make it as solo artists, but I can speak for Don when I say that we are both really happy now that the band is not together.
If the gods have the will to remove evil and cannot, then they are not all-powerful. If they are neither able nor willing, they are neither all-powerful or benevolent. If they are both able and willing to annihilate evil, why does it exist?
From my side, I don't put pressure on the director to cater to a certain image. I am happy to do different films, and I have to stick by my director. I like to completely surrender myself to the director - that way, I think, I don't get to do the similar roles.
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