A Quote by Julianne Moore
My upbringing has given me sympathy for the idea of isolation and what it is to be a new person in the room, where everyone else has some amount of familiarity and comfort.
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My EP, 'Room 93,' was all about isolation - it was based on the idea of being in a hotel room and being totally alone with yourself or that other person.
Similar to the familiarity I've always had with the ball, there's this familiarity that the game has given me over years of understanding it and living it.
...When someone asks me to help create a room my first reaction, if I do not already know the person, is to try to feel out what he or she really wants the room to be and to understand, if possible, what "memory," old or new, has brought this idea about.
If you are a libertine, if you're not given to long-term faithful relationships, you tend to project your behavior onto everyone else. It's like the person who knows they're not trustworthy; they tend to mistrust everyone else.
Without religion, man is an atheist, woman is a monster. As daughter, sister, wife and mother, she holds in her hands, under God, the destinies of humanity. In the hours of gloom and sorrow we look to her for sympathy and comfort. Where shall she find strength for trial, comfort for sorrow, save in that gospel which has given a new meaning to the name of "mother," since it rested on the lips of the child Jesus?
It was the old psychosomatic side-step. Everyone in my family dances it at every opportunity. You've given me a splitting headache! You've given me indigestion! You've given me crotch rot! You've given me auditory hallucinations! You've given me a heart attack! You've given me cancer!
The only person who really impressed me with making new music is Cudi. Everyone else seems to be jumping on the same music, the producer-made stuff, but the one person that's made new music to me is Cudi.
Sympathy with joy intensifies the sum of sympathy in the world, sympathy with pain does not really diminish the amount of pain.
For a long time, I had the idea that I would do a certain amount of work the best I could, and then I would reach a comfort zone, and I wouldn't be pushed to write more. I would become a different person. It's a surprise to me that this hasn't happened. Your body ages, but your mind is the same.
What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.
Everyone has to understand what we're saying to one another and there's no point in me thinking the line means this and the person I'm speaking to thinks it means something else. So there's a certain amount of analyzing of text that's of course necessary.
I pride myself on being the nicest person in the room. My grandmother always told me, 'Manners will take you where money won't.' When I walk into a room, I say "hello" to everyone I don't care who the person is or what they do, it's simply being respectful.
I am in no way different from anyone else, that my predicament, my sense of aloneness or isolation may be precisely what unites me with everyone.
Everyone judges constantly: positively judging one person is the same as negatively judging everyone else; it is to say that that person is superior in some sense.
Everyone is isolated from everyone else. The concept of society is like a cushion to protect us from the knowledge of that isolation. A fiction that serves as an anesthetic.
Everyone needs solitude, especially a person who is used to thinking about what she experiences. Solitude is very important in my work as a mode of inspiration, but isolation is not good in this respect. I am not writing poetry about isolation.
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