A Quote by Julianne Moore

I actually think acting is a form of self-hypnosis. You have to be hyper, hyper aware of what's going on around you. You have to know where the lens is, what the shot is, and where you're moving. And then you have to trick yourself into an emotional state where you believe this stuff is actually happening.
As a director you're always so busy - you're go, go, go, you're always moving, moving, moving - so I'm not actually privy to all the weird stuff that's happening around me, but for a lot of the cast and crew, that's what I hear stories from them about weird stuff happening.
Actually, actually, when he first put us into hypnosis, he didn't know what he was going to get.
He said I was the most sensitive person he had ever seen- that I belonged to the hyper-hyper type and we rarely survive!
I've struggled so much, growing up, with just feeling that my life is valid because it's not filled with these hyper-dramatic moments, and I think a lot of people of my generation feel that way. We're so inundated with hyper-drama that people crave everyday life.
I'm the most organised person in the world. Apparently, I'm just like Monica from 'Friends' because I am hyper, hyper organised. It's probably bordering on OCD.
Part of being an actor is almost self-hypnosis during those brief moments when the cameras are rolling. You want to actually believe you're Chris Gardner or Muhammad Ali.
I'm so hyper-aware of everything around me and everyone and everything that people do.
Doing things with serious consequences, whether it's death or seriously mangling myself, puts me in a hyper-aware state, and has become somewhat of an addiction for me.
We're with each other 24/7 and that's not an exaggeration. But I think after 25 years it's like you are with your family basically. You're gonna have your dust-ups and fights and stuff, but we're all really hyper-aware of the good fortune we're having and how long it took us to get here.
You carry that through and adapt it to a camera lens, but you're quite right, you cannot be sure of what an audience is going to do. You don't know what's going to happen to the piece you're doing anyway. You don't know how it's going to be edited. There are a lot more unknowns in cinema. But that you have to readily accept. That's when, I think, you have to forget about intellect, to a degree. Intuition is very important when you're working with a lens, I believe, for what the lens is doing, too.
I took theatre and stuff in college, then I took a bunch of different acting classes here in L.A. Sometimes when I have a hard audition, I'll call my acting coach and he'll come help me. I actually get more nervous in acting class than I do at an actual audition. It's actually a really great way to get over your nerves.
With acting, the last thing you do is try to look pretty. Modeling actually makes acting harder - it makes you so self-aware.
I think [music and acting], they are connected, all that stuff. It's your emotional self, is pretty much how you do it, I think, from whatever place you do it, whether you're acting or you're singing.
A lot of people my age are so hyper. I like hyper people.
I'm hyper, goofy. I always have to be moving, doing something.
I'm realizing that the people who criticize what I'm doing, their intentions and comments are not actually real.There's nothing happening in the real world outside of whatever they're writing on the internet. Whereas for the people who feel inspired by what I'm doing, there's something so concrete and powerful in what's happening when they feel empowered. There's actually some kind of growth or self-acceptance, some kind of self-love that's actually being triggered, hopefully. And that's real.
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