A Quote by Julianne Nicholson

Onstage, of course, you have the luxury of rehearsal and discovery and time and comfort, which then turns into terror when you actually have to put it in front of people. — © Julianne Nicholson
Onstage, of course, you have the luxury of rehearsal and discovery and time and comfort, which then turns into terror when you actually have to put it in front of people.
Unless some other factor is operative, in large, weak and underpopulated states, the luxury of ostentation prevails over that of comfort; but in countries which are more populous than extensive, the luxury of comfort always diminishes ostentation.
The first time I got up in front of an audience was terror, abject terror, which continued for another four or five years. There still is, a little bit.
I'm a theater actress. I love rehearsal. I could have six weeks of rehearsal and think it's not enough. But on film, you don't get that luxury.
You have formal rehearsal, a lot of things you don't have in movies - which is, you have to formally rehearse. You have to know your back story, discuss it, and almost everybody onstage has to know each other's [story], so that when it comes time to actually do it, you can throw it all away. That's the way I like to - and I didn't realize until very recently - that's the way I like to prepare for movies.
I have to phrase this perfectly: I'm just not convinced that the attention we give to creating what we think of as a character isn't actually quite often the means by which an actor overcomes his own terror of standing there onstage and creating a mask to hide behind.
In general, I don't even have the luxury of rehearsal time on most films that I make. It is just a scene-by-scene full cast read through. It's very much just doing the rehearsal sometimes the day before, at the end of the day, but just on the spot as the scene unfolds.
The best part of acting is the rehearsal, because that is where the real discovery comes. And if you're lucky, some of that actually makes it onto the page and some of that actually makes it onto the screen.
Science for me is very close to art. Scientific discovery is an irrational act. It's an intuition which turns out to be reality at the end of it-and I see no difference between a scientist developing a marvellous discovery and an artist making a painting.
You have to realize, when you're a comedian, that you have to have a thick skin. And trust me, being onstage in front of people is already difficult enough. Somebody's personal attack in an email is not as hard as getting onstage.
There's actually something interesting about having no rehearsal time - you have to just walk in and go with your gut, which is exciting.
I love to write honest songs that name real people, then get up onstage and live out those emotions in front of 15,000 people.
My mom was like, 'You talk so much. You have too much energy. Why don't you just join the play or something?' It was a comedy, and I got laughs in rehearsal, but onstage, in front of a whole audience, I got a lot of laughs.
It is too great comfort which turns a man against himself. Life is most readily renounced at the time and among the classes where it is least harsh.
I've been on projects before where there's no rehearsal, and you walk in on set and that's literally the first time you've ever played the character, and then I've had times where there's been three weeks of rehearsal. I like both.
The luxury of ostentation affords a much less substantial and solid gratification, than the luxury of comfort, if I may be allowed the expression.
Most people think the character I do onstage is the way I am offstage, but I'm just a regular guy who spends time with his family and who turns on the television and watches a lot of sports.
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