A Quote by Julie Adams

No matter what you do, you can act your heart out, but people will always say, 'Oh, Julie Adams - 'Creature from the Black Lagoon.' — © Julie Adams
No matter what you do, you can act your heart out, but people will always say, 'Oh, Julie Adams - 'Creature from the Black Lagoon.'
No matter what you do, you can act your heart out, but people will always say, 'Oh, Julie Adams - Creature from the Black Lagoon.'
I guess I rooted for the Creature from the Black Lagoon.
The creature from the black lagoon - I drew that creature almost every day, two, three times a day, for probably my first ten years of life, you know.
I found out my baby was visiting Julie Chen a lot, from 'The Talk', and my nanny was just like, 'Oh yeah, that's Julie. We pop in on her all the time.'
I never saw Frankenstein or King Kong or the Creature from the Black Lagoon as bad guys. They were the good guys.
There are a lot of funny motels. There was one motel in the middle of nowhere: it was real plain, but it had a gigantic green monster, something like the Creature from the Black Lagoon, standing next to this lake.
It's a good feeling, that you can put your heart out there, no matter how black it is, and people can understand it.
Out of right thinking comes right practice. It is not true that it does not matter what a man believes. It is not true to say, as many say, that a man's beliefs do not matter, it is only his conduct which is of importance; no lasting right conduct grows out of wrong belief. If you think falsely, you will act mistakenly; if you think basely, your conduct will suit your thinking.
Usually, 'All Lives Matter' comes as a response to 'Black Lives Matter'; it doesn't exist in a vacuum. So when people say 'Black Lives Matter,' a lot of times the response 'All Lives Matter' can seem very condescending, dismissive to 'Black Lives Matter.'
A lot of people of color and the Black Lives Matter movement will talk about what's really happening, but it seems like you can't get the black president to say something that's obvious about what's happening to black people in this country.
I will not sit in a room with black people when the N word is used. I know it was meant to belittle a person, so I will not sit there and have that poison put on me. Now a black person can say, 'Oh, you know, I can use this word because I'm black.'
I approach my life with logic. I do not act on impulse or emotion. I very seldom find that I say, 'And then I can't think what came over me, but I did this or that or the other.' I nearly always know how I will act and I nearly always act in that way. I don't catch myself out in embarrassing situations because I've acted without forethought. I calculate what I will do.
Oh Julie, wouldn’t I know if you were dead? Wouldn’t I feel it happening, like a jolt of electricity to my heart?
I'm talking to a journalist and I really have nothing to say anymore, this is already uncomfortable. I feel the pain coming already. The brutal pain, when one day I should read your edit of whatever I say, because no matter what I say, no matter how I say it, no matter its tone, its frequency range, its decibel level or the way in which I put the words together, no matter my intentions and no matter the truth. What I'll read one day will be a chastised, manipulated abortion of your misunderstandings, your manipulations, your agenda and your amateur use of the English language.
I always love where I can plug a black woman in anywhere, and when that comes up, I don't say, 'Oh that has to be a black woman.' I say, 'Why not a black woman?'
Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
This site uses cookies to ensure you get the best experience. More info...
Got it!