A Quote by Julie Andrews

I'm not singing anymore; that is why I am so pleased to be writing. My daughter said, "You just found a different way of using your voice." — © Julie Andrews
I'm not singing anymore; that is why I am so pleased to be writing. My daughter said, "You just found a different way of using your voice."
Sadly I don't sing. I missed it for a long time, but my daughter Emma said something wonderful when I was feeling blue one day: "Mom, you've just found a different way of using your voice, and that's with your books." In a way, she's right. It's just a different way of expressing what I feel about music, individuality, art and all the things I've always loved.
I went through various phases of different accents - I get ridiculously obsessed with different accents, different regional ways of using the voice, different types of singing. It's all tied together. Speaking is a kind of singing, as are crying and laughing.
You know, your speaking voice comes back, but your singing voice you use in a different way.
There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice. But I think you could also put it a different way. You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.
Did you hear that we're writing Iraq's new Constitution? Why not just give them ours? We're not using it anymore.
Every day, my mom and I would watch a different Judy Garland VHS. I love how she tells a story when she sings. It was just about her voice and the words she was singing - no strings attached or silly hair or costumes, just a woman singing her heart out. I feel like that doesn't happen that much anymore.
My song titles have different reasons for the mistakes. "Don't You Evah," that's just the way that I've always said it, and I just thought it was funnier. "Yr." in "You Got Yr. Cherry Bomb", it's that punk-rock way of writing "your," like "Kill Yr. Idols." And "Rhthm And Soul" was just an actual typo that someone pointed out, and I just said, "Well, I guess that's the way it's gonna be."
In film, you're always using your tools, your body, your voice, your emotions, but onstage, you use them in a different way.
As one of my creative writing professors once said, there are only seven plots. What makes those plots different is how you handle them, your voice, your style, and your way of thinking. That’s all. People can mimic your style, but they can never achieve your unique point of view.
People said when I started, 'Why don't you just copy your father's style?' I had to be myself, singing my songs in my own way.
I found my own voice slowly. I don't do big tricks like Mariah Carey, so I've found this weird way of singing that works for me.
I want to make the music that's not there anymore. I'm so passionate about the singing voice... What I'm trying to do actually with my album is show that it's my voice that's leading. It's my voice that's the instrument.
I think, when I started writing songs, my voice just became another tool. It wasn't something that I was going to try desperately to woo a listener. As long as I'm using my voice in a way that helps people understand what I'm trying to say, then I feel like I'm doing all right.
I remember I was walking through a store, and I saw clothes a 25-year-old would wear. And the conversation in my head was, 'I'm not young and fabulous anymore.' But, immediately, there was a voice that said, 'No, you can be older and fabulous.' In other words, still just as fabulous, but in a different way.
I've tried every which way for writing lyrics - everything from using really bizarre imagery and metaphors, sort of obscuring the facts of what I'm singing about, all the way over to a song like 'Losing My Mind,' where you're just reading my thoughts as they're occurring.
There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice.
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