A Quote by Julie Andrews

You never feel lonely if you're writing, because you're living with all these characters in your head. — © Julie Andrews
You never feel lonely if you're writing, because you're living with all these characters in your head.
Writing can be a lonely business. But gradually your characters, or the scenes and peopl from your past, begin to rise up around you, and you find yourself writing your way out of loneliness, writing into your own company.
Writing is a solitary endeavor, but not a lonely one. When you write, your world is populated by the characters you invent, and you feel those people filling your life.
Writing is a solitary endeavor, but not a lonely one. When you write, your world is populated by the characters you invent and you feel those people filling your lives.
I'm never lonely when I'm writing, because you live with the characters that are so alive in your mind. And you really see them and know them and get to be friends with them.
Writing fiction is a solitary occupation but not really a lonely one. The writer's head is mobbed with characters, images and language.
A comedian has to live in his head. All this comedy comes from a lonely place. When you're surrounded by an entourage, you're not living in your head.
Never feel lonely. You are never lonely. At the deepest core of your being, God resides.
One of the things when you write, well the way I write, is that you are writing your scenario and there are different roads that become available that the characters could go down. Screenwriters will have a habit of putting road blocks up against some of those roads because basically they can't afford to have their characters go down there because they think they are writing a movie or trying to sell a script or something like that. I have never put that kind of imposition on my characters. Wherever they go I follow.
Writing is alone, but I don't think it's lonely. Ask any writer if they feel lonely when they're writing their book, and I think they'll say no.
You get so caught up in what you're writing - action sequences tend to do that more than anything else because you're living it, and feeling for your characters.
I remember, when I was a teenager, people telling me, 'You know, when you are a mother, you will never feel lonely. You will feel so much love, and you will be fulfilled by this love.' Then I became a mother. And I learnt that is absolutely wrong: you can feel very lonely with your children, even if you love them.
I've never had a mentor personally of any kind. It feels like, generally, in the writing world or the art world, it's more of a thing in America, because you have writing programs, which we don't have. You have these amazing writers who are teachers. I never did a writing program so I never met a writer until I was published. I guess I can't really explain my compulsion for writing these kind of mentor characters.
It is only when you open your veins and bleed onto the page a little that you establish contact with your reader. If you do not believe in the characters or the story you are doing at that moment with all your mind, strength, and will, if you don't feel joy and excitement while writing it, then you're wasting good white paper, even if it sells, because there are other ways in which a writer can bring in the rent money besides writing bad or phony stories.
There are times that you have a plot in your head, but then you find that the characters don't want to do that. When you're looking at the story from the outside, you can create whatever twists and turns you want. But when you're writing, you're inside the characters' heads, and you see that they may be motivated to do something different.
In general, I think writing characters, no one is 100 percent good or bad, and certainly, the bad characters never think they're bad themselves. Even the worst characters don't feel like they're bad guys on the inside.
When you're writing a pilot, unless you already have an actor attached to the project, you're writing it with all the voices sort of in your head. Once you actually cast it, the actors become the voices of the characters, and you start to write for them and their strengths.
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