A Quote by Julie Andrews
It's lovely that the Hollywood stars are crossing over to Broadway.... There used to be such a dividing line in the country between Hollywood and the theatre and that's just melting away. It's just wonderful right now!
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I like the sensibility of Australian film a lot and the crews are fantastic. Great characters, wonderful people and no line between - I think in Hollywood they have this line between actors and crew a lot, and that just didn't exist, which I really appreciated.
If Hollywood stars speak out, so do all sorts of other people. Now Hollywood stars can get a better hearing.
I do not like the Broadway theatre because it does not know how to say hello. The tone of voice is false, the mannerisms are false, the sex is false, ideal, the Hollywood world of perfection, the clean image, the well pressed clothes, the well scrubbed anus, odorless, inhuman, of the Hollywood actor, the Broadway star. And the terrible false dirt of Broadway, the lower depths in which the dirt is imitated, inaccurate.
I've worked with Hollywood stars, but the reason most of the Hollywood stars I've worked with are Hollywood stars is that they're excellent actors, so I've been very lucky.
I think Hollywood... well, there is no Hollywood anymore so let's just call it the mainstream since the business is no longer Hollywood producing its own films and then distributing, they just distribute.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
These issues of gender equity and diversity have been ongoing conversations throughout the decades. I remember even when I was just starting in the business in the 1980s. It's not just Hollywood's problem. This is systemic. It's in our country, so what happens in Hollywood is that everything's just magnified because it's out there in the public.
I am not going to do a film based on a bad scenario just to make a big Hollywood film or work with Hollywood stars.
Hollywood is a symbol of global movies, it's not just American movies. It's become a platform and a melting pot; it's for all the talents and capital from all over the globe.
My grandmother and I followed my mother here, to a house a block north of Hollywood Boulevard but a million miles away from Hollywood, if you know what I mean. We would hang out behind the ropes and look at the movie stars arriving at the premieres.
Broadway producers are happy to have a big Hollywood name they can post on the marquee, but most of them assume that television and film stars really can't handle stage work. Too often, they're right.
[A]t the beginning of November 2001, there was a series of meetings between White House advisers and senior Hollywood executives with the aim of co-ordinating the war effort and establishing how Hollywood could help in the "war against terrorism" by getting the right ideological message across not only to Americans, but also to the Hollywood public around the globe the ultimate empirical proof that Hollywood does in fact function as an "ideological state apparatus.
Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.
The irony is I did an intimate film in France with no stars and that got me to Hollywood. It got me to the Oscars. If I had tried to imitate the Americans or the Hollywood movies with a commercial recipe, I'd never have gotten to Hollywood. Although, it was not my goal in any way, and I never thought there was any connection between Monsieur Lazhar and the Oscars.
I have seen Hollywood artistes like Al Pacino, Tom Cruise and Tim Burton doing theatre and Broadway shows. Cinema actors tend to go back to theatre because it gives them an opportunity to reinvent themselves.
The big dividing line is not and has never been between those who advocate more or less militant forms of resistance, or between mainstream and grassroots activists. The dividing line is between those who do something and those who do nothing.
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