A Quote by Julie Andrews

If you've been fortunate enough to do a film that appeals to the entire family, that's the audience that's probably going to come back to you in something else. — © Julie Andrews
If you've been fortunate enough to do a film that appeals to the entire family, that's the audience that's probably going to come back to you in something else.
I am fortunate that I come from a family that never distinguished between a boy and a girl. I had the freedom to chose my entire life and have been supported throughout by my family.
We have been fortunate enough to do something that has always been out of the mainstream and yet have an audience for what we do.
And although I've been very fortunate in the film work that's come my way, I need to get back to the stage. If I'm away for a maximum of two years, I feel something's wrong.
For centuries, the arts and philanthropists have worked well together: look at the Tate family and the Courtaulds. If you've been fortunate enough to have some success in business, I think it's important to put something back.
I've always had a passion for giving back. It's a family tradition that comes from my devout parents. They were always giving back and serving the community. So when I became fortunate enough and blessed to play the game of basketball, I was also fortunate enough to follow in my parents' footsteps and give back like the way they did.
Giving back to Ames is something that me and my wife have tried to do since I've been in the League and I've been fortunate enough to be able to give back.
In America, instead of making the audience come to the film, the idea seems to be for you to go to the audience. They come up with the demographics for the film and then the film is made and sold strictly to that audience.
I wasn't actually going to see the original film [Lord of the Ring], because I didn't think it was possible that a film could represent the books appropriately. So I was protesting, and I wasn't going to see them. And then my family all took a jaunt together, the entire family, to see the movies, and were like, "What, you're just going to stay home?" So I saw the movies and was thoroughly impressed that Peter Jackson managed to make my vision of the book come to life, as well as my sister's and my father's, and my aunt's and my uncle's, everyone's.
It's very important that a film that intends to play tricks on the audience... has to play fair with the audience. For me, any time you're going to have a reveal in the film, it's essential that it have been shown to the audience as much as possible. What that means is that some people are going to figure it out very early on. Other people not til the end. Everybody watches the film differently.
If you've been fortunate enough to have some success in business, I think it's important to put something back.
If you don't come from film family, it takes time for people to register you. When you don't come from film family, the connection with the audience takes time to build up; it happens eventually.
Of course, you have to think of the audience. You cannot make an obtuse film that only appeals to a small niche section of the audience.
You never quite know what you're going to come back to and figure out how to make it work. You never quite know where that desire to finish something, or return to something in a fresh way, is going to come from. Every time I finished a film and went back and looked at it, I had changed as a person.
It's all about hustling, whether it's in Boston or the film industry. I've been hustling my entire life - acting my way into trouble and acting my way back out again. I'm just fortunate to have had the opportunity to apply it in a different direction.
I'm blessed enough to been in the game for a while and still have my beautiful fans and still have the respect. That's something that gets me going. I'm also fortunate enough to take vacation and take a little hiatus.
I don't think that my work appeals that much to the hard-core, avant-garde film audience. They appeal to people who teach film and those establishment figures on the East Coast.
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