A Quote by Julie Andrews

I was a child prodigy who had a freak voice of something like four octaves. — © Julie Andrews
I was a child prodigy who had a freak voice of something like four octaves.
I was born because it was a habit in those days, people didn't know anything else ... I was not a Child Prodigy, because a Child Prodigy is a child who knows as much when it is a child as it does when it grows up.
Playing octaves was just a coincidence. And it's still such a challenge, like chord versions, block chords like cats play on piano. There are a lot of things that can be done with it, but each is a field of its own. I used to have headaches every time I played octaves, because it was extra strain, but the minute I'd quit I'd be all right. But now I don't have headaches when I play octaves.
It's not that I always had this impeccable voice. Some 15-18 years ago, I started noticing that I could not reach higher octaves.
Many people used to call me a child prodigy, but I never thought that. I knew that I had learned everything, that I had very good circumstances.
You could be a music prodigy at age 4, like Mozart, but you can't be a writing prodigy.
Basically, I was a freak show. This kid with this big old voice. I was a travelling freak.
I had gotten pregnant with Apollo, and I didn't plan on that - it was just such a beautiful miracle. Four weeks later they called me and, like "Do you want to do The Voice?" It was this incredible opportunity to do something different.
Like my writing, my voice has been something I've worked at. I knew I had a good voice but it was a matter of time before it was what I've got now. I've had to build my vocal muscles up until they were like Arnold Schwarzenegger.
A prodigy to me is someone that is enormously gifted at a young age - to the point that people can't deny it. I think when you are a young kid and you are a prodigy, other parents, when their child is on your team, they aren't even mad that their kid isn't getting the shine because that other kid is special.
I like to play in the deep register. I was never a high-note specialist. My range goes from the bottom of the horn up to around C or D. High D is about it for me ... about two-and-a-half octaves, I think. But in these two-and-a-half octaves, I can say everything I have to say.
My voice has always been kind of distinct - even when I was four years old, my mom told me that people would be like, 'Why does your daughter always sound like a chain smoker?' I've always had this deep, raspy voice.
I was called a dance prodigy since I was young. A prodigy is like a genius. But I'm not a genius. It's just that what I do a little bit better than others, and that happens to be dancing.
Theres a bunch of Elvis Costello records that made all the difference between feeling like a total freak and feeling like ... only a freak. A freak among other freaks
I'm Sudafed-ed up, but it's alright because I'm having to do this rather sultry scene, so maybe it's OK that my voice is three octaves lower.
Of course, your voice always sounds better in the shower for some reason, maybe it's just the octaves or, I don't know, the water, I have no idea.
You called me at four thirty-four....I hate four thirty-four. I think four thirty-four should be banned and replaced with something more reasonable, like, say, nine twelve.
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