A Quote by Julie Andrews

I had toured around England endlessly throughout my teens, but when I came to the U.S. to perform on Broadway, that was a huge step. — © Julie Andrews
I had toured around England endlessly throughout my teens, but when I came to the U.S. to perform on Broadway, that was a huge step.
I had been coming to New York, pretty much once a month, to dance on Broadway. I was offered a huge Broadway show but couldn't do it because my brother was having his huge Bar Mitzvah.
I was in 'Grease' on Broadway, toured with 'Wicked,' was off Broadway a couple of times and have been a part of numerous readings and workshops.
When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
Then we did what we called basically I suppose a club tour in England, which was the time I think that our second album came out, we club toured around the whole country where the venues were hold to five hundreds upwards to that sort of thing you know.
I toured around the country and met all these Broadway producers who put me in all these Neil Simon plays like 'Brighton Beach Memoirs' and 'Biloxi Blues.'
I came to England in 1962 as a very young bride, in my teens, hoping just to stay two years and go back.
I didn't realise I had a speech impediment until I came back to England. I spent the whole of my life working abroad, and no-one mentioned it. I came back to England and suddenly realised I had a speech impediment.
In each genre, I've been around the biggest. In pop I toured with Justin Timberlake, with reggae it was Sean Paul; I toured with Jay-Z and the Red Hot Chili Peppers. It's all an education for me, to see how they do it.
I have this huge, huge fan base of people who've never seen a Broadway show, but I think it's a great introduction to what Broadway is because my shows are not that. I think that if you're getting people to go to theater then somebody should be celebrating that.
I was a Ukrainian folk dancer in my teens, and I toured the country in 1991, shortly before the break-up of the Soviet Union.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
People see a lot of huge stuff on Broadway, but there's always Off-Broadway energy and also shows that you can work in.
It does take a lot of effort to perform, playing for England. It's a huge amount of sacrifice to do and one day I might just wake up and say 'you know what, I'm done with it.'
I'm sure my desire to perform came, in part, from being around politics as a kid. My dad had a big personality, and a lot of the people involved in Boston politics have big personalities, so there were all kinds of wacky people around.
I just toured around looking for fractals, and when I found something that had a scaling geometry, I would ask the folks what was going on - why they had made it that way.
Here's something weird, though: I loved Jimi's music so much that I would never perform it for people. Throughout my teens and playing in various bands, I refused to play Hendrix songs. I know that sounds strange, but Jimi's music was so special to me that it was like works of art that shouldn't be touched or altered.
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