A Quote by Julie Anne Peters

I hope they remember the good stuff, when I was a baby, a toddler, when they still had hopes and dreams for their little girl, their miracle child. In truth they were good to me. They were only doing what they knew how to do; what they thought was best.
When we were doing noisier shows, they were fun, but we were trying to be really obnoxious and it wasn't like we were trying to make good music. I mean, I'm happier when we have smoothed out a little bit. I think that the spirit of the noise and experimental stuff is still there, but it's easier to do when you're a freshman in college.
I remember my dreams when I was a junior soloist. 'Oh, I hope I don't end here,' I thought. 'I want to do the ballerina in 'Scotch Symphony.' I don't want to be the little Scotch girl.' And I actually went beyond my wildest dreams. I worked with Balanchine. I had ballets choreographed for me.
I knew that I was not doing anything wrong, and I knew in my mind I was doing the right thing. I knew that the people who were going against me were not going against me for a good purpose. I knew that they were trying to justify their corruption and misgovernance.
I look to everyday magic in art to remember how to live: how to estrange and vivify ordinary objects and beings. So little, really, is ordinary, but to remember this I need the brain chemical of painting and film and reading I had a thrummy doomed oracular feeling when I wrote blackened baby teeth into my little blind boy story: I saw teeth and in an instant they were becoming something else. They were buckshot. They were food. They were tiny flightless corvids.
Being in New York, a lot of people I knew were top-notch copy editors or photo retouchers, so I had a good community around me that knew how to do the specialized stuff.
From the little reading I had done I had observed that the men who were most in life, who were molding life, who were life itself, ate little, slept little, owned little or nothing. They had no illusions about duty, or the perpetuation of their kith and kin, or the preservation of the State. They were interested in truth and in truth alone. They recognized only one kind of activity - creation.
Knowing that we were doing good work and the stories were good. They were original and charming. They weren't particularly violent or sexy or any of that. They were just unique and that had a good feel to it.
I think I'm trouble-adjacent. I remember hearing once that good girls don't get caught. I think that's sort of a lot of what my teen years were like. I skirted the stuff that other kids were doing because the idea of actually getting in trouble was not appealing to me, but I still wanted to have adventures.
I’m writing this in part to tell you that if you ever wonder what you’ve done in your life, and everyone does wonder sooner or later, you have been God’s grace to me, a miracle, something more than a miracle. You may not remember me very well at all, and it may seem to you to be no great thing to have been the good child of an old man in a shabby little town you will no doubt leave behind. If only I had the words to tell you.
Baby Girl," I say. "I need you remember everything I told you. Do you remember what I told you?" She still crying steady, but the hiccups are gone. "To wipe my bottom good when I'm done?" "No, baby, the other one. About who you are.
You hope to catch the band on a good night and you hope that it sounds good when you hear the tapes back, and you hope that when you mix it you still have the feeling that you had when you were onstage, but it seems like it never quite works out that way!
I only have two kinds of dreams: the bad and the terrible. Bad dreams I can cope with. They're just nightmares, and the end eventually. I wake up. The terrible dreams are the good dreams. In my terrible dreams, everything is fine. I am still with the company. I still look like me. None of the last five years ever happened. Sometimes I'm married. Once I even had kids. I even knew their names. Everything's wonderful and normal and fine. And then I wake up, and I'm still me. And I'm still here. And that is truly terrible.
It used to be the one or the other, right? You were the 'bad girl' or the 'good girl' or the 'bad mother' or 'the good mother,' 'the horrible businesswoman who eschewed her children' or 'the earth mother who was happy to be at home baking pies,' all of that stuff that we sort of knew was a lie.
It used to be the one or the other, right? You were the 'bad girl' or the 'good girl' or the 'bad mother' or the 'good mother,' 'the horrible businesswoman who eschewed her children' or 'the earth mother who was happy to be at home baking pies,' all of that stuff that we sort of knew was a lie.
For me, in movies, it's always a mixed bag. I've never made a movie where I thought, "You were really good in that movie; you were good all the time." No. It's always, "You didn't get it, you didn't do it in that scene, but the other scene is pretty good." So I just hope that in balance there's more good scenes than not.
From getting good grades in school, to thinking about getting a good career and settling down, we all have been running a rat race. We always thought that we were doing it for ourselves but actually we were doing it for others. Like, I realized, I never had time for myself.
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