A Quote by Julie Benz

[Betty in Two Evil Eyes]was my very first on-camera role. With Harvey Keitel. — © Julie Benz
[Betty in Two Evil Eyes]was my very first on-camera role. With Harvey Keitel.
[Dario Argento] speaks very broken English - he's Italian, so I'm going to do a very bad Italian impersonation - but he asked me my name, and I told him, and he goes, "Walk across the room." He looked at me, and he said, "Do you want to be in my movie [Two Evil Eyes]?" I was, like, "Yeah! Yeah, I do!"He goes, "Okay! You play Betty!" And I was, like, "Oh, I'm playing an extra named Betty! Great!" So we walked out, thinking that I was playing an extra named Betty, no lines, just background.
I like Harvey Keitel. I liked him in 'Mean Streets.' I'm a fan.
I like Harvey Keitel. I liked him in Mean Streets. Im a fan.
I really didn't know who Dario [Argento] was. I didn't know who Harvey Keitel was. It was a wonderful experience, though.
I've just done a film in the United States. It's a thriller called 'A Crime', with Harvey Keitel, we play against each other, and it's so great to play in another language. But I'm definitely not American.
Almost every single person that I've worked with - whether it's been George Clooney or Robert DeNiro or Harvey Keitel, or whoever - the quality that I find that's most consistent in most of the people is the humility.
Oh I had crushes on all my leading men, I think. Oh, you know who I really had fun with? In this movie 'Mother, Jugs & Speed,' I really liked working with Harvey Keitel.
I wasn't the first choice for the role of Danny Tanner. Betty White was. Not true, but there was another actor whom they had shot the pilot with.
To triumph fully, evil needs two victories, not one. The first victory happens when an evil deed is perpetrated; the second victory, when evil is returned. After the first victory, evil would die if the second victory did not infuse it with new life.
But when we place God on our side of things, that we are now ridding the world of evil - that's very dangerous, that one nation has this role to rid the world of evil. What about the evil we have committed, that we are complicit in?
The simple act of having a camera, not a cell phone, but a camera-camera, there’s a kind of a heightened perceptional awareness that occurs. Like, I could walk from here to the highway in two minutes, but if I had a camera, that walk could take me two hours.
I've worked with actors who treat the first two takes like rehearsals. And that's okay. If the camera is on you and we're doing a scene where I'm off camera, I'm treating that as a rehearsal.
When I first asked to take pictures of women at their homes, I was using my formal camera and I struggled to get the shots because I was still very much in the role of the photographer. Then the next time I had this little digital camera and their response to me would be completely different - I was a friend and I got new kinds of pictures. I was always treading a line between photographer and friend.
I've worked with Emily Skinner and I've seen Linda Balgord's work. I saw Harvey Keitel at the call-backs. But generally I don't know many people. They're not only good performers; they're really good singers! This show is for people who have more of a history in reading music. From what I already know about the ensemble, it's going to be great. And I can't wait to meet the rest of them. They're the real deal.
As the entertainment industry became more corporate and MBA-driven, Harvey Weinstein remained an unreconstructed specimen of the worst and most compelling character traits of a truer Hollywood. Harvey, and in a sense only Harvey, continued to embody the Hollywood self.
What I love is a good role. In the theatre, there is just a canon of extraordinary roles, the quality of character is amazing, but I also love working in front of a camera. It was the first one for me; as a kid I was in front of a camera. I feel at home.
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